The best fermentation foodie workshops across the country

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Never has gut instinct played such a literal role when it comes to our travel choices, but growing interest in gut health is leading to more Australians making travel choices with their wellbeing in mind. Jennifer Ennion joins a fermentation workshop to find out what it’s all about.

“This is not rotten food," assures Cornersmith Picklery teacher Jaimee Edwards. Laughter erupts in the tiny store in Sydney’s Marrickville.

 

“When food perishes, it’s the breakdown of protein," Jaimee continues. “When food is fermented, it’s the breakdown of carbohydrates."

 

It’s a small but important difference and the roomful of beginner fermenters takes note. Most of us have travelled here to learn about gut health and how we can manage our own. I’ve been wanting to learn how to make fermented foods for years and the growing gut-health catchcry from nutritionists has spurred my interest. My biggest concern, however, is knowing when not to eat something. Jaimee assures me that making fermented food at home is safe. She simplifies the process: “It’s the yeast and bacteria on the surface of our produce [that, when] deprived of oxygen, turn the carbohydrates of the produce into lactic acid and the lactobacillus that we want."

 

It’s this lactic acid that preserves food and makes it safe for consumption. It’s basic enough, until I learn that all the food we jar today will ferment on our watches. I snap into student mode.

The fermentation process

We start with likely the most well-known of fermented foods – sauerkraut. It’s surprisingly simple: four kilograms of green cabbage, finely shredded, with two tablespoons of salt, plus seasoning. I opt for the classic Eastern European additions of caraway and juniper. We bash the cabbage with the end of a rolling pin until we can squeeze water out of it, add the seasoning and pack it tightly into a jar, ensuring we leave a layer of brine on top. It’s a lot of fun and we sip on a fermented tonic and chit-chat as we label our batches.

 

Next is kimchi, a Korean staple. Again, it’s easy but this time we use daikon (a winter radish), wombok (a Chinese cabbage), leek, ginger and garlic. We also add a touch of salt, sugar and chilli. It’s messy business as we pound, crush and stuff the vegetables. By now, chopping boards are covered with juice and vegies off-cuts. The picklery is buzzing with talk and laughter, and I can see the workshop is just as much about a great morning out as it is about learning a new culinary skill. It’s also about putting in place some long-lasting habits to improve our health, as opposed to adopting a green-smoothie-like fad.

 

“I want to avoid fermented foods going down that path," says Jaimee. “There is no one thing that you can consume, and it’s certainly not kombucha, that is going to deliver you optimum health," she says.

 

It’s this desire to improve our health that has seen fermentation workshops bloom across the country. Food continues to play a big role in our travel choices and, just as many of us travel to explore food markets and eat at award-winning restaurants, we’re also now holidaying for our health.

What’s the attraction of a fermentation workshop?

There is a mix of men and women attending Cornersmith’s two-and-a-half-hour Fermenting Vegetables workshop and an array of ages. I join a trio of women in their early fifties, one of whom has travelled from the New South Wales South Coast. The ladies met at university 30-odd years earlier and are starting a new tradition of catching up during culinary classes. So far, they’ve ticked off three. Chris Anthony, 34, from Sydney is attending solo and rounds out our group. He’s signed up because he is tired of seeing cabbage “left looking sad at the back of the fridge" after his regular vegie delivery.

 

“I’m trying to be healthy and not to be wasteful," he says, as we start making brines.

 

Although Jaimee may have discovered fermentation a decade ago, thanks to her Russian heritage, she says more people are spending their leisure time learning about the benefits – and travelling to do so. The frequently sold-out fermentation class is the second most popular at Cornersmith, after “preserving for the season", and there has been strong growth over the four years the picklery has been running. Most attendees are Sydneysiders but many are visiting from Newcastle and the Blue Mountains and making a weekend of it.

 

The class I’m attending goes all too quickly, but I leave smiling, a jar of fermented green tomatoes in my hands. I’m inspired to continue my journey with fermentation, and the feeling doesn’t dissipate weeks later, as my tomatoes thrive in their little jar taking pride of place in my kitchen.

5 places to try fermentation workshop

The Fermentary , in Victoria, is the place to go to make kvass (a fermented drink), learn about SCOBYs and try pickling.

 

– Green Living Australia runs half-day workshops in Queensland that focus on vegetables, kimchi, kefir and yoghurt.

 

Buchi Kombucha , also in Queensland, doesn’t just centre on making the popular drink, but also offers workshops on cultured desserts, kimchi and miso.

 

– Foley’s Frothing Fermentations, in WA, offers a beginner’s guide to fermenting vegetables at home.

 

– Get Fermented is for people living in and travelling to the tropics, with classes about water and milk kefir, in the Northern Territory.

Fermenting: the facts you need to know

1. Put the fermenting food in a spot you’ll remember out of direct sunlight, not forgotten in the pantry

 

2. Summer ferments will happen much faster than in winter

 

3. If attending a workshop, take extra glass jars

 

4. To avoid air pockets in jars, slide a knife down the inside edge of the jar

 

5. Check your ferments every couple of days

 

6. The higher the sugar content in produce, the faster it ferments

 

7. The fridge slows the fermenting process down but doesn’t stop it

Jennifer Ennion
Jennifer Ennion is a freelance travel and ski journalist who loves encouraging people to spend more time outdoors. From snorkelling with belugas in sub-Arctic Canada to hiking the Himalayas, Jennifer is constantly searching for stories that inspire readers to push their boundaries.
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Inside Geelong’s glow-up from factory town to creative capital

    Chloe CannBy Chloe Cann
    Abandoned mills and forgotten paper plants are finding second lives – and helping redefine a city long underestimated. 

    Just 15 years ago, Federal Mills was a very different place. Once among the most significant industrial sites in Victoria, the historic woollen mill was one of a dozen that operated in Geelong at the industry’s peak in the mid-20th century, helping the city earn its title as ‘wool centre of the world’. But by the 1960s global competition and the rise of synthetic fabrics led to the slow decline of the industry, and Federal Mills finally shuttered its doors in 2001. Within a few years, the abandoned North Geelong grounds had become makeshift pastoral land, with cows and goats grazing among the overgrown grass between the empty red-brick warehouses. It was a forgotten pocket of the city, all but two klicks from the bustle of the CBD.  

    Geelong cellar door wine bar
    Geelong has shed its industrial identity to become an innovative urban hub with reimagined heritage spaces. (Image: Ash Hughes)

    Federal Mills: from forgotten factory to creative precinct 

    Today, the century-old complex stands reborn. The distinctive sawtooth-roof buildings have been sensitively restored. An old silo is splashed with a bright floral mural, landscapers have transformed the grounds, and the precinct is once again alive with activity. More than 1000 people work across 50-plus businesses here. It’s so busy, in fact, that on a sunny Thursday morning in the thick of winter, it’s hard to find a car park. The high ceilings, open-plan design, and large multi-paned windows – revolutionary features for factories of their time – have again become a drawcard.  

    Paddock Bakery andPatisserie
    Paddock Bakery and Patisserie is housed within the historic wool factory. (Image: Gallant Lee)

    At Paddock , one of the precinct’s newer tenants, weaving looms and dye vats have been replaced by a wood-fired brick oven and heavy-duty mixers. Open since April 2024, the bakery looks right at home here; the building’s industrial shell is softened by ivy climbing its steel frames, and sunlight streams through the tall windows. Outside, among the white cedar trees, families at picnic benches linger over dippy eggs and bagels, while white-collar workers pass in and out, single-origin coffee and crème brûlée doughnuts in hand. 

    Geelong: Australia’s only UNESCO City of Design 

    Paddock Bakery
    Paddock Bakery can be found at Federal Mills. (Image: Gallant Lee)

    “A lot of people are now seeing the merit of investing in Geelong,” says Paul Traynor, the head of Hamilton Hospitality Group, which redeveloped Federal Mills. A city once shunned as Sleepy Hollow, and spurned for its industrial, working-class roots and ‘rust belt’ image, Geelong has long since reclaimed its ‘Pivot City’ title, having reinvented itself as an affordable, lifestyle-driven satellite city, and a post-COVID migration hotspot.  

    And the numbers stand testament to the change. In March 2025, and for the first time in its history, Greater Geelong became Australia’s most popular regional town for internal migration, overtaking Queensland’s Sunshine Coast. Current forecasts suggest Geelong will continue to outpace many other Australian cities and towns, with jobs growing at double the rate of the population.

    Tourism is booming, too. The 2023-24 financial year was Geelong and The Bellarine region’s busiest on record, with 6.4 million visitors making it one of the fastest-growing destinations in the country. It’s not hard to see why: beyond the city’s prime positioning at the doorstep of the Great Ocean Road, Geelong’s tenacity and cultural ambition stands out.  

    As Australia’s only UNESCO City of Design, Geelong is swiftly shaking off its industrial past to become a model for urban renewal, innovation, sustainability and creative communities. The signs are everywhere, from the revitalisation of the city’s waterfront, and the landmark design of the Geelong Library and Heritage Centre and Geelong Arts Centre, to the growing network of local designers, architects and artists, and the burgeoning roster of festivals and events. That’s not even mentioning the adaptive reuse of storied old industrial buildings – from Federal Mills, to Little Creatures’ brewery ‘village’ housed within a 1920s textile mill – or the city’s flourishing food and wine scene.  

    The rise of a food and wine destination  

    boiler house
    Restaurant 1915 is housed within a restored former boiler house. (Image: Harry Pope/Two Palms)

    Traynor credits now-closed local restaurant Igni, which opened in 2016, as the turning point for Geelong’s hospo industry. “[Aaron Turner, Igni’s chef-patron] was probably the first guy, with all due respect, to raise the bar food-wise for Geelong,” he says. “People now treat it really seriously, and there’s clearly a market for it.” While Igni is gone, Turner now helms a string of other notable Geelong venues, including The Hot Chicken Project and Tacos y Liquor, all within the buzzy, street art-speckled laneways of the CBD’s Little Malop Street Precinct. Many others have also popped up in Igni’s wake, including Federal Mills’ own restaurant, 1915 Housed within the cavernous boiler house, 1915’s interior is dramatic: soaring, vaulted ceilings with timber beams, exposed brick, a huge arched window. The share plates echo the space’s bold character, playing with contrast and texture, with dishes such as a compressed watermelon tataki, the sweet, juicy squares tempered by salty strands of fried leeks, and charred, smoky snow peas dusted with saganaki on a nutty bed of romesco. 

    Woolstore
    The Woolstore is a new restaurant and bar housed within a century-old warehouse. (Image: Amy Carlon)

     The Woolstore , one of The Hamilton Group’s most recent hospo projects, opened in February. It occupies a century-old riverside warehouse and exudes a more sultry, fine dining ambience. Much like Federal Mills, the blueprint was to preserve the original brickwork, tallowwood flooring and nods to the building’s former life. That same careful consideration extends to the well-versed, affable waitstaff as well as the kitchen. Head chef Eli Grubb is turning out an eclectic mix of ambitious and indulgent mod Oz dishes that deliver: strikingly tender skewers of chicken tsukune, infused with hints of smoke from the parrilla grill, and glazed with a moreish, sweet gochujang ‘jam’; nduja arancini fragrant with hints of aniseed and the earthy lick of sunny saffron aioli; and golden squares of potato pavé, adorned with tiny turrets of crème fraîche, crisp-fried saltbush leaves, and Avruga caviar, to name but a few stand-out dishes.  

    Woolstore menu
    Woolstore’s menu is designed for sharing.

    Breathing new life into historic spaces  

    On the city’s fringe, hidden down a winding side road with little fanfare, lies a long-dormant site that’s being gently revived. Built from locally quarried bluestone and brick, and dating back to the 1870s, the complex of original tin-roofed mill buildings is lush with greenery and backs onto the Barwon River and Buckley Falls; the audible rush of water provides a soothing soundtrack. Fyansford Paper Mill is one of few complexes of its time to survive intact. It feels steeped in history and spellbindingly rustic.  

    “We were looking for an old industrial place that had some charm and romance to it,” explains Sam Vogel, the owner, director and winemaker at Provenance Wines which moved here in 2018. When he first viewed the building with his former co-owner, it was in such a state of disrepair that the tradie tenant occupying the space had built a shed within it to escape the leaking roof and freezing winter temperatures. “To say it was run down would be an understatement,” he notes. “There was ivy growing through the place; the windows were all smashed. It was a classic Grand Designs project.” 

    Provenance Wines
    Provenance Wines moved to Fyansford Paper Mill in 2018. (Image: Cameron Murray Photography)

    The team has since invested more than a million dollars into their new home. Where paper processing machinery once sat, wine barrels are now stacked. Vaulted cathedral ceilings are strung with festoon lights, and hidden in plain sight lies a shadowy mural by local street artist de rigueur Rone – one of only three permanent works by the artist.

    While the award-winning, cool-climate pinot noir, riesling and chardonnay naturally remain a key draw at Provenance, the winery’s restaurant is a destination in itself. Impressed already by whipsmart service, I devour one of the most cleverly curated and faultlessly executed degustations I’ve had in some time. It’s all prepared in a kitchen that is proudly zero-waste, and committed to providing seasonal, ethical and locally sourced meat and produce under head chef Nate McIver. Think free-range venison served rare with a syrupy red wine jus and a half-moon of neon-orange kosho, shokupan with a deeply savoury duck fat jus (a modern Japanese take on bread and drippings), and a golden potato cake adorned with a colourful confetti of dehydrated nasturtiums and tomato powder, and planted atop a sea urchin emulsion.  

    handcrafted pieces
    Bell’s handcrafted functional pieces on display.

    The complex is home to a coterie of independent businesses, including a gallery, a jeweller, and its latest tenant, ceramicist Elizabeth Bell, drawn here by the building’s “soul”. “There’s so much potential for these buildings to have new life breathed into them,” says Bell, whose studio is housed within the old pump room. “Even people in Geelong don’t know we’re here,” she says. “It’s definitely a destination, but I like that. It has a really calming atmosphere.”  

    A Melbourne transplant, Bell now feels at home in Geelong, which offers something Melbourne didn’t. “If this business was in Melbourne I don’t think it would’ve been as successful,” she notes. “It’s very collaborative in Geelong, and I don’t think you get that as much in Melbourne; you’re a bit more in it for yourself. Here it’s about community over competition.”  

    Elizabeth Bell
    Ceramicist Elizabeth Bell has a store in Fyansford Paper Mill.