Ken Duncan's Guide to Shooting the Outback

Australia’s favourite landscape photographer shares his tips and tricks on photographing remote areas – from getting friendly with the locals to capturing fast-flowing waterfalls and getting up at the crack of dawn, it’s all in a day’s work. Interviewed by Elisabeth Knowles.

TIP ONE: CREATE DIMENSION

God’s Marbles, Wauchope, NT

This lovely scene depicts the Devils Marbles (Indigenous name: Karlu Karlu), south of Tennant Creek, but, says Ken, “Why would you give the devil the credit for something
so beautiful?"

This is the central panel of an image that would take four Australian Traveller pages laid side by side to show in full, but we’ve chosen this detail so you can see one of Ken’s favourite tricks to bringing an image to life – finding foreground interest.

“One of the most common mistakes amateur photographers make is that they’ve failed to create layers in the image," says Ken. “In real life, the landscape may be incredible but when they take a photo it can look flat. Here, the foreground rocks give a sensation of depth.

“To keep everything in frame in focus, from the foreground to the background, use a small aperture, such as f22 (the bigger the f-number, the smaller the aperture). A good rule of thumb is that the bigger the f-number, the larger the area in focus."

But he also warns: “Don’t be afraid of blur. There’s movement evident in the leaves of the tree in this shot, which adds a bit of action."

The other tip to be gleaned from this image is “be patient". Ken stayed for three days at the nearby Wauchope Hotel to capture this photo.

“I’d have a pub meal, chat to the locals, wake up early [this image was taken at sunrise] then spend the day walking around."

He adds that if you talk to people who live in the region, you’ll be let in on local secrets such as wonderful things to see nearby that other travellers wouldn’t notice or know about when following the well-worn tourist path.

One benefit of getting up early and shooting at sunrise is that you escape the crowds of tourists. “There is such a beautiful feeling here; it’s such a sacred place," says Ken of the Marbles. “When you sit among the rocks you go into a state of quiet contemplation and it filters your mind."

The one thing you may not realise from this image is the size of the rocks: “They’re huge!" he laughs. “People go and push against those balancing rocks and you think, ‘One day they’ll get a shock!’"

TECHNICAL STUFF: Camera: custom-made Seitz Roundshot 220VR (shoots a 220º panorama). Lens: 75mm Pentax 67 with lens shift. Filters: none. Medium: film, Fuji 220 Velvia, ISO 50. Shutter speed: 1/4s. Aperture: F11. Ratio: 5:1. Degrees: 225 scan, shot on tripod. Original image size: 6cm x 30cm.

TIP TWO: SHOOT AT DAWN

Haasts Bluff, NT

As with the previous image, shooting at sunrise means you often get the location to yourself. “No-one else is out of bed," says Ken, so you can take your time enjoying the landscape, uninterrupted. The other benefit to this time of day is the light.

“The best light is with the sun behind you," says Ken. “Everything in the foreground lights up and you get beautiful pastel colours. If you get up early enough, you won’t get your shadow in shot."

Two hundred and fifty kilometres west of Alice Springs, the region around Haasts Bluff is very special to Ken because it’s where he has chosen to set up an art gallery and foundation to teach Indigenous kids from the Ikuntji community to take photographs, produce cinematography and play music. The Walk a While Foundation is named after the Indigenous philosophy that you shouldn’t presume to know anyone unless you’re willing to “walk a while" alongside them. For more information on the foundation, go to kenduncan.com/index.php/walk-a-while.

TECHNICAL STUFF: Camera: Phase One P645 body with P45+ back. Lens: 35mm. Medium: digital, ISO 50. Shutter speed: 1/6s. Aperture: f10. Exposure compensation: -0.3.

TIP THREE: DON’T SHOO PEOPLE OUT OF FRAME!

Glycomis Falls, the Kimberley, WA

According to Ken, another common mistake people make when shooting landscapes is waiting until everyone leaves the frame before taking the photo. “That’s my helicopter pilot," says Ken of the man sitting on the rocks in the image above.

“A person in the shot gives scale. Don’t worry about them being there – bring them in! And don’t worry about them having to show their faces. They don’t need to be recognisable unless you’re looking to get an ‘I’ve been everywhere, man’ shot. Also, wear bright colours! I don’t know why all hiking clothes tend to be made in tree-hugging brown and khakis. I wear red or purple, so if I get lost I can be found!"

Bright hues also stand out beautifully against the ochres and greens of the Outback.

Glycomis Falls is in a remote part of the Kimberley. Ken was here straight after the wet season ended, when the waterfalls were still fully flowing.

“This is my favourite style of shoot lately," says Ken. “Finding locations where no-one else has set foot. Not many people would have ever been on the ground here [some Kimberley cruises, such as True North, come in by boat]. I’m not interested in taking photographs of the same old locations. I’m looking for secret treasures. I find many places by walking and driving, and sometimes by helicopter. I’ve spent over 1000 hours in a helicopter but I’m not interested in learning how to fly one. I want to be able to sit back and look."

TECHNICAL STUFF: Camera: Seitz Roundshot 220 VR. Lens: 75mm Pentax 67 with lens shift. Filters: none. Medium: film, Fuji 220 Velvia, ISO 50. Shutter speed: 1/60s. Aperture: f11. Ratio: 5:1. Degrees: 220 scan. Note: this is a detail from the original panorama.

TIP FOUR: Don’t SHOOT EVERYTHING HEAD-ON

Eagle Falls, the Kimberley, WA

The image of Eagle Falls [opposite page] was shot in another remote Kimberley location accessed by helicopter. Ken recommends viewing your subject from all angles. “Don’t just go for the typical stand-and-deliver shot," he says. “When you shoot a waterfall from the left or right you may catch a rainbow.

“Another consideration when shooting such a contrasty shot is that you need to read your histogram. I want to get everything in one exposure. I hate HDR [High Dynamic Range imaging]. Some people use it when there’s no need – they could have got it right in-camera. Expose for the highlights so your whites don’t blow out. Make the histogram go as far right as possible without slamming into the side."

It’s also a wise idea to do a recce first, to see what time of day your subject is lit by sun.

“There is no such thing as ‘harsh’ light – it only becomes harsh if you’re shooting straight into it. This was taken around lunchtime."

Waterfalls are terrific to photograph because the movement of water creates a sense of drama.

“A good exercise to make you understand water movement is to follow the water with your eyes," says Ken. “Moving water tends to blur unless you follow the flow. Through the camera, the longer the exposure the blurrier the water. This was shot very fast so you don’t see much blur, but in the past I’ve shot with an exposure up to five minutes. The water becomes quite ethereal; seascapes become misty lakes. My daughter calls it ‘smudgy water’."

TECHNICAL STUFF: Camera: Linhof 617S II. Lens: Schneider 72mm. Filters: centre graduated filter. Medium: film, Fuji 220 Velvia, ISO 100. Shutter speed: 1/8s. Aperture: f32. Ratio: 3:1. Degrees: 100, shot on tripod. Original image size: 6cm by 17cm.

TIP FIVE: GET TO KNOW THE LOCALS

Arnhem Land, NT

“You need to build relationships with people before you have any right to take their photograph," says Ken. “I had been on the beach with these children and their parents and we were just mucking around. They were pretty excited when they caught this turtle. It got away, thank God, but another wasn’t so lucky."

TECHNICAL STUFF: Camera: Phase One P645 body with P65+ back. Lens: 35mm. Medium: digital, ISO 200. Shutter speed: 1/320s. Aperture: f4. Exposure compensation: -0.3.

TIP SIX: USE ARTIFICIAL LIGHT

Fitzroy Crossing, WA

This boab tree was taken at sunrise, on the main road between Derby and Broome, in the Kimberley. “People drive straight past all the time," says Ken.

The technique used is called ‘light painting’: “The foreground is lit with a torch. I had my assistant go off to one side and shine the torch back and forth along the trunk and branches. He ‘painted’ it with torchlight while I took a long exposure. You could have lit the tree with car headlights but it’s hard to ‘paint’ with a car! Every traveller should carry a good torch anyway, they’re invaluable. I use the brand Wolf Eyes."

TECHNICAL STUFF: Camera: Phase One P645 body with P65+ back. Lens: 35mm. Medium: digital, ISO 100. Shutter speed: 30s. Aperture: f3.5.

These photos all feature in Ken’s latest book, Australia: Our Island Paradise (Panographs Publishing, $50). You can buy both the book and art prints online at kenduncan.com

Those dreaming of a river escape that’s less rush and more rest will discover the perfect getaway in Echuca Moama.

Best known for summer river holidays, Echuca Moama dishes up extraordinary options for those craving good food, experiences and culture. Discover how best to spend your getaway in this gorgeous river town.

1. Find unique stays in Echuca Moama

Goolwa River Retreat villas — Bathe under the stars at Goolwa River Retreat.

An adventure here starts with the perfect place to stay. Echuca Moama is famous for its luxury houseboats. Be spoilt for choice with amenities like spas, chef’s kitchens and en-suites onboard Murray River Houseboats and Echuca Luxury Houseboats .

For those who prefer to stay on dry land to sleep, there’s no shortage of accommodation options to suit every taste and budget. The villas at Goolwa River Retreat offer spectacular views of the Murray Riverfront, cosy evenings by the fire pit. And, a truly unique and luxurious experience: bathing under the stars in an outdoor bathtub.

Families travelling with young kids will appreciate the fully self-contained cabins, which sleep up to six, at NRMA Echuca Holiday Park . Complete with BBQ facilities and a kids’ playground, Echuca Holiday Park is the perfect base for families exploring the Echuca Moama region.

More adventurous guests can experience off-grid serenity at Carriages Water Front Retreat , where they can slumber among the redgums in a lovingly converted vintage train carriage.

If you prefer a more central place to stay, the Mercure Port of Echuca is located just five minutes from the Port of Echuca on foot and offers comfortable rooms, as well as easy access to all the region has to offer.

2. Explore the Murray River

PaddlesteamerS on the Murray River — Jump aboard one of Echuca Moama’s famous paddlesteamers.

A trip to Echuca Moama isn’t complete without seeing the Murray River. Take in views from the water, with Murray River Paddlesteamers and Echuca Paddlesteamers . Or combine sightseeing with lunch at a local winery or brewery on a Wharf to Winery or Port to Plate cruise .

Those who prefer an active holiday can hire a stand-up paddleboard with Echuca SUP to explore the river. Duck under the historic Echuca Moama Bridge and listen out for local wildlife. At the end of your paddleboarding trip, you’ll find a shuttle service to return you to the car park.

Kayaking is another great option if you like to combine seeing the sights with a full-body workout. Hire a kayak from River Country Adventours , or join a river safari for a guided experience.

3. Go hiking and biking in Echuca Moama

two bikers riding on the 19-kilometre Waranga Rail Trail — Peddle along the 19-kilometre Waranga Rail Trail.

On foot or by bike, there are plenty of trails to explore the region. Embark on a guided e-bike tour with Green Pedal (or hire an e-bike and go it alone) to explore the 19-kilometre Waranga Rail Trail . Traverse through beautiful bushland and the scenic Waranga Basin. Bakeries and picnic areas in the historic town of Rushworth provide the perfect place for refreshments.

Day trip to the lookout at Whroo Forest, near the now-abandoned Whroo township, located on historic Balaclava Hill. The Hill was once the site of Victoria’s largest open-cut gold mine and home to a thriving town. Today, the area offers picturesque walking tracks and picnic sites.

4. Taste Echuca Moama’s best dining options

lobster dish on the table at opa in echuca moama — Taste delicious, authentic Greek at Opa. (Image: Visit Victoria)

Whether you like a candlelit dinner or a coffee in the sunshine, Echuca Moama is ready to delight your taste buds.

Pop into Opa for authentic Greek fare with views of the town from its upstairs balcony. Enjoy seasonal produce at The Mill , offering everything from global street food and share plates to classic dinner and dessert options inside a historic building.

Discover a local secret at Monkee and Co , a relaxed Asian-fusion restaurant serving up classics like Banh Mi and dumplings.

Start the day with excellent coffee and waterfront views at the family-run Watson St Pavilion .

5. Drink at Echuca Moama’s best bars

two people drinking cockatails at paradise bar in echuca moama — Cheers to neon at Paradise Bar.

Top-notch tipples can be found at Paradise Bar , a new cocktail bar serving up handcrafted cocktails to delight the taste buds in the heart of Echuca. The menu features classics like mojitos, margs, and spritzers. As well as Paradise’s own creations featuring funky ingredients like bubble gum syrup and an Old Fashioned with truffle oil.

Bar Lee at the Echuca Distillery is the place to go to watch the sun go down at the rooftop bar, taste Echuca’s locally made spirits and nibble your way through an exceptional selection of share plates.

For river views, excellent service and a more than extensive wine menu, head to Social Wine Bar . You’ll find a laid-back atmosphere in the riverfront beer garden that sprawls out under an ancient pine tree and a cosy interior perfect for hiding away on a cool evening.

6. Follow local art trails

Jump in the car and follow the Silo Art Trail.

The region’s silos have been transformed into impressive, towering canvases depicting local fauna, Echuca’s historical links to industry and the building of the local railroad. Follow the Silo Art Trail by car, which takes between three and four hours.

Rochester Mural Park is home to an annual lineup of changing murals, while the Rochester Mural Festival showcases established and emerging artists.

7. Dive into local history

Echuca Port Museum and Penny Tourism — See the historic Port of Echuca.

The Echuca Moama region is bursting with history. Among its historical treasures is the Port of Echuca . Interactive displays showcase the port’s importance to historical trade along the river, industrial sites like the Evans Brothers Sawmill and the Port of Echuca railway station with its very own heritage steam train.

The displays pay homage to the site’s significance to the local Yorta Yorta People and their ancestral connection to the land where the Murray, Campaspe and Goulburn Rivers meet.

Explore the port independently or join a guided tour to learn from Echuca’s history buffs.

Learn more and start planning the perfect holiday to Echuca Moama at visitechucamoama.com.au.

Ken Duncan’s Guide to Shooting the Outback