The outback floods with hipster coffee

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It’s official: hell hath frozen over and the outback ‘mud’ is beginning to dry up. Yes, that’s right, you can get a good big-city-quality coffee in Australia’s regions now. You just really, really have to know where to look, and it’s often in places you might not expect, finds Steve Madgwick.

“Do you mean a mack-ee-ah-toe?" he asks, each syllable its own operetta.

 

I’d expect a coffee elocution lesson like this in Melbourne’s Little Collins Street or Sydney’s Surry Hills, but inside a highway roadhouse, halfway up to The Tip of Cape York? Well… I never!

 

Laura Roadhouse is your typical low-slung Besser Block Lego-ed together roadhouse, a reliable all-rounder selling most things you need to parade into Australia’s outer space; the fuel prices are high, the fishing ‘fashion’ horrendous and, naturally, the generic coffee is muddy and tasteless.

 

Well, about that last one…

 

Okay, so it wasn’t quite waxy-moustachioed-barrister style, but my macchiato’s beans weren’t burnt, its flavour not bitter, and it was served at the perfect temperature, with just the right amount and consistency of milk that the finicky style requires.

 

Honestly, it was as good as at least two hipster coffee spots close to my inner-city office, which claim (quite loudly) to be artisans. Most importantly, though, the coffee came into this world from a ‘proper’ machine, not an urn, nor kettle, and was not poisoned with long-life milk.

 

I wonder if this moment marks ‘The Great Leap Forward’ because if I, as a human male, ordered a turmeric latte from an outback roadhouse 30 years ago, I would have been punched in the eye socket. Fancy coffee was, as Johnny Warren said of Australian soccer in the 70s, deemed to be for “sheilas, wogs and poofters".

 

But the story does not end here. Oh, no. Given that historical context, my next coffee, a couple of hours later, was very good. Yes, I just said it. I had a very good coffee in the outback.

 

The scene? One of Australia’s best outback festivals and most important Indigenous events, the biennial Laura Aboriginal Dance Festival. It’s a spirit-refreshing event, held in the scrub around the Queensland town, where you don’t mind getting dusty and slumming it in a tent for a couple of nights.

 

Because of its isolation, facilities are rudimentary; the shower blocks are the only freestanding structures, so you mechanically adjust your food and beverage expectations accordingly. Saying that, the community stalls put on a good spread, punching above their weight, especially if you’re after a serving of pig’s blood and rice (a bargain at $15).

 

So I decide to put the petite Laura River Coffee stall to my macchiato test. “Long or short?" comes the rubber-band-quick reply. Nice start.

 

On the counter, a shade more than a minute later, comes a handsome cuppa served in the correct, embarrassingly small espresso cup. Its artful milk ‘stain’ (the meaning of macchiato in Italian) shows that I am dealing with a much-practised hand.

 

But the first cup gets snatched back before I get the chance to snatch it. They’re not happy with it for some reason. The replacement arrives two minutes later.

 

And then it happens… I down my first hipster coffee in the outback. Woah – good morning Laura!

 

“I learned how to make coffee in my coffee shop," says David Barwick, who now farms turmeric and ginger. “I’ve been a chef for a long time and, if you can cook, you can make good coffee. It’s all about the flavour."

 

“I used to have a cafe in Cape Trib’ so this is almost a community stall, especially for this event. I’ve been doing it for the past 12 years; once you start doing something you just keep doing it. When Laura is finished I put the machines in a shipping container for two years until I take them out and clean them for the next one."

 

David sources his beans reasonably locally too, from NQ Gold in Mareeba on the Atherton Tablelands, and knows their story because he visits the farm to pick them up. Unsurprisingly, he appreciates my surprise at tasting a good coffee in the outback.

 

“It’s not just the outback," he says. “I once drove from Sydney to Cairns along the highway and you can’t get a decent cup of coffee or a sandwich the whole way; probably thanks to all the little towns being bypassed these days."

 

It’s a common theme. Order a latte in a country town and pretty much get a coffee milkshake. The further out you go, the more likely you will hear the terms Nescafé and coffee used interchangeably. If you are lucky, on special occasions, the Moccona jar might get a dust-off.

 

But there are other young vanguards ready to settle on the outback’s hot dusty ground and let their grounds do the talking.

 

The likes of Pip Stafford, who with partner Charlie bought the Andamooka Yacht Club from friends Kurt and Matilda, who established the ironically-named café-cum gallery at this obscure South Australian opal mining town, three-and-a-half hours’ drive from Port Augusta.

 

“We travelled around Australia for 10 months, popped in for a visit, saw it was for sale, and thought we’d give it a crack," says Pip.

 

“We are trying to get people in to see the town and have a good coffee too; to experience this place, which is like nothing else. It’s like a mini Coober Pedy here, but the opal trade is drying up."

 

Andamooka “where everyone lives next to their mullock heaps" is off the usual tourist trail, but happens to be a favourite of the grey nomads because it links up with the Oodnadatta Track. The Yacht Club stands by its coffee, and by its big city prices ($5 large, $4 small) too.

 

“You can always tell someone from a big city like Melbourne because their coffee order is not just your general capp’," she says.

 

“They’ve heard about the coffee [sourced from Dawn Patrol in the Adelaide Hills], and they really try to test us, often by ordering just a shot of coffee. And then they can’t believe it; they’re quite happily shocked because we’re tucked way away out here. People say that we’re the best coffee for 280 kilometres around [about the distance to the coast]."

 

Dave McMahon, who shows people around Kakadu, Arnhem Land and the Kimberley as a tour guide for Venture North, argues that there has been a great caffeine source in the outback for eons.

 

“In northern Australia Aboriginal people roast and eat the seeds from the Kurrajong Tree, which contains more caffeine than coffee," says the former chef.

 

But for taste, Dave has a couple of go-to spots for a sublime brew: the Purple Mango Cafe at Marrakai, on the way to Kakadu from Darwin (which also makes mango wine), and the Nitmiluk National Park cultural centre at Katherine Gorge, which “makes an unbelievably good coffee".

 

“I think that the shock of finding the epitome of city slicker civilisation, a really good coffee, in the bush is a luxury that tourists never under-appreciate."

 

It’s been said, that in some outback towns you still drink coffee only out of necessity. And just because there’s a popular café in a town doesn’t that mean they make a good cup of Joe.

 

But, the slow-roasted, caffeine-drenched evolution is underway. And while hipster coffee is not flooding the plains yet, the rains of change are now falling on the plains.

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Inside Geelong’s glow-up from factory town to creative capital

    Chloe CannBy Chloe Cann
    Abandoned mills and forgotten paper plants are finding second lives – and helping redefine a city long underestimated. 

    Just 15 years ago, Federal Mills was a very different place. Once among the most significant industrial sites in Victoria, the historic woollen mill was one of a dozen that operated in Geelong at the industry’s peak in the mid-20th century, helping the city earn its title as ‘wool centre of the world’. But by the 1960s global competition and the rise of synthetic fabrics led to the slow decline of the industry, and Federal Mills finally shuttered its doors in 2001. Within a few years, the abandoned North Geelong grounds had become makeshift pastoral land, with cows and goats grazing among the overgrown grass between the empty red-brick warehouses. It was a forgotten pocket of the city, all but two klicks from the bustle of the CBD.  

    Geelong cellar door wine bar
    Geelong has shed its industrial identity to become an innovative urban hub with reimagined heritage spaces. (Image: Ash Hughes)

    Federal Mills: from forgotten factory to creative precinct 

    Today, the century-old complex stands reborn. The distinctive sawtooth-roof buildings have been sensitively restored. An old silo is splashed with a bright floral mural, landscapers have transformed the grounds, and the precinct is once again alive with activity. More than 1000 people work across 50-plus businesses here. It’s so busy, in fact, that on a sunny Thursday morning in the thick of winter, it’s hard to find a car park. The high ceilings, open-plan design, and large multi-paned windows – revolutionary features for factories of their time – have again become a drawcard.  

    Paddock Bakery andPatisserie
    Paddock Bakery and Patisserie is housed within the historic wool factory. (Image: Gallant Lee)

    At Paddock , one of the precinct’s newer tenants, weaving looms and dye vats have been replaced by a wood-fired brick oven and heavy-duty mixers. Open since April 2024, the bakery looks right at home here; the building’s industrial shell is softened by ivy climbing its steel frames, and sunlight streams through the tall windows. Outside, among the white cedar trees, families at picnic benches linger over dippy eggs and bagels, while white-collar workers pass in and out, single-origin coffee and crème brûlée doughnuts in hand. 

    Geelong: Australia’s only UNESCO City of Design 

    Paddock Bakery
    Paddock Bakery can be found at Federal Mills. (Image: Gallant Lee)

    “A lot of people are now seeing the merit of investing in Geelong,” says Paul Traynor, the head of Hamilton Hospitality Group, which redeveloped Federal Mills. A city once shunned as Sleepy Hollow, and spurned for its industrial, working-class roots and ‘rust belt’ image, Geelong has long since reclaimed its ‘Pivot City’ title, having reinvented itself as an affordable, lifestyle-driven satellite city, and a post-COVID migration hotspot.  

    And the numbers stand testament to the change. In March 2025, and for the first time in its history, Greater Geelong became Australia’s most popular regional town for internal migration, overtaking Queensland’s Sunshine Coast. Current forecasts suggest Geelong will continue to outpace many other Australian cities and towns, with jobs growing at double the rate of the population.

    Tourism is booming, too. The 2023-24 financial year was Geelong and The Bellarine region’s busiest on record, with 6.4 million visitors making it one of the fastest-growing destinations in the country. It’s not hard to see why: beyond the city’s prime positioning at the doorstep of the Great Ocean Road, Geelong’s tenacity and cultural ambition stands out.  

    As Australia’s only UNESCO City of Design, Geelong is swiftly shaking off its industrial past to become a model for urban renewal, innovation, sustainability and creative communities. The signs are everywhere, from the revitalisation of the city’s waterfront, and the landmark design of the Geelong Library and Heritage Centre and Geelong Arts Centre, to the growing network of local designers, architects and artists, and the burgeoning roster of festivals and events. That’s not even mentioning the adaptive reuse of storied old industrial buildings – from Federal Mills, to Little Creatures’ brewery ‘village’ housed within a 1920s textile mill – or the city’s flourishing food and wine scene.  

    The rise of a food and wine destination  

    boiler house
    Restaurant 1915 is housed within a restored former boiler house. (Image: Harry Pope/Two Palms)

    Traynor credits now-closed local restaurant Igni, which opened in 2016, as the turning point for Geelong’s hospo industry. “[Aaron Turner, Igni’s chef-patron] was probably the first guy, with all due respect, to raise the bar food-wise for Geelong,” he says. “People now treat it really seriously, and there’s clearly a market for it.” While Igni is gone, Turner now helms a string of other notable Geelong venues, including The Hot Chicken Project and Tacos y Liquor, all within the buzzy, street art-speckled laneways of the CBD’s Little Malop Street Precinct. Many others have also popped up in Igni’s wake, including Federal Mills’ own restaurant, 1915 Housed within the cavernous boiler house, 1915’s interior is dramatic: soaring, vaulted ceilings with timber beams, exposed brick, a huge arched window. The share plates echo the space’s bold character, playing with contrast and texture, with dishes such as a compressed watermelon tataki, the sweet, juicy squares tempered by salty strands of fried leeks, and charred, smoky snow peas dusted with saganaki on a nutty bed of romesco. 

    Woolstore
    The Woolstore is a new restaurant and bar housed within a century-old warehouse. (Image: Amy Carlon)

     The Woolstore , one of The Hamilton Group’s most recent hospo projects, opened in February. It occupies a century-old riverside warehouse and exudes a more sultry, fine dining ambience. Much like Federal Mills, the blueprint was to preserve the original brickwork, tallowwood flooring and nods to the building’s former life. That same careful consideration extends to the well-versed, affable waitstaff as well as the kitchen. Head chef Eli Grubb is turning out an eclectic mix of ambitious and indulgent mod Oz dishes that deliver: strikingly tender skewers of chicken tsukune, infused with hints of smoke from the parrilla grill, and glazed with a moreish, sweet gochujang ‘jam’; nduja arancini fragrant with hints of aniseed and the earthy lick of sunny saffron aioli; and golden squares of potato pavé, adorned with tiny turrets of crème fraîche, crisp-fried saltbush leaves, and Avruga caviar, to name but a few stand-out dishes.  

    Woolstore menu
    Woolstore’s menu is designed for sharing.

    Breathing new life into historic spaces  

    On the city’s fringe, hidden down a winding side road with little fanfare, lies a long-dormant site that’s being gently revived. Built from locally quarried bluestone and brick, and dating back to the 1870s, the complex of original tin-roofed mill buildings is lush with greenery and backs onto the Barwon River and Buckley Falls; the audible rush of water provides a soothing soundtrack. Fyansford Paper Mill is one of few complexes of its time to survive intact. It feels steeped in history and spellbindingly rustic.  

    “We were looking for an old industrial place that had some charm and romance to it,” explains Sam Vogel, the owner, director and winemaker at Provenance Wines which moved here in 2018. When he first viewed the building with his former co-owner, it was in such a state of disrepair that the tradie tenant occupying the space had built a shed within it to escape the leaking roof and freezing winter temperatures. “To say it was run down would be an understatement,” he notes. “There was ivy growing through the place; the windows were all smashed. It was a classic Grand Designs project.” 

    Provenance Wines
    Provenance Wines moved to Fyansford Paper Mill in 2018. (Image: Cameron Murray Photography)

    The team has since invested more than a million dollars into their new home. Where paper processing machinery once sat, wine barrels are now stacked. Vaulted cathedral ceilings are strung with festoon lights, and hidden in plain sight lies a shadowy mural by local street artist de rigueur Rone – one of only three permanent works by the artist.

    While the award-winning, cool-climate pinot noir, riesling and chardonnay naturally remain a key draw at Provenance, the winery’s restaurant is a destination in itself. Impressed already by whipsmart service, I devour one of the most cleverly curated and faultlessly executed degustations I’ve had in some time. It’s all prepared in a kitchen that is proudly zero-waste, and committed to providing seasonal, ethical and locally sourced meat and produce under head chef Nate McIver. Think free-range venison served rare with a syrupy red wine jus and a half-moon of neon-orange kosho, shokupan with a deeply savoury duck fat jus (a modern Japanese take on bread and drippings), and a golden potato cake adorned with a colourful confetti of dehydrated nasturtiums and tomato powder, and planted atop a sea urchin emulsion.  

    handcrafted pieces
    Bell’s handcrafted functional pieces on display.

    The complex is home to a coterie of independent businesses, including a gallery, a jeweller, and its latest tenant, ceramicist Elizabeth Bell, drawn here by the building’s “soul”. “There’s so much potential for these buildings to have new life breathed into them,” says Bell, whose studio is housed within the old pump room. “Even people in Geelong don’t know we’re here,” she says. “It’s definitely a destination, but I like that. It has a really calming atmosphere.”  

    A Melbourne transplant, Bell now feels at home in Geelong, which offers something Melbourne didn’t. “If this business was in Melbourne I don’t think it would’ve been as successful,” she notes. “It’s very collaborative in Geelong, and I don’t think you get that as much in Melbourne; you’re a bit more in it for yourself. Here it’s about community over competition.”  

    Elizabeth Bell
    Ceramicist Elizabeth Bell has a store in Fyansford Paper Mill.