For a small city Adelaide has serious cultural clout.
Adelaide punches above its weight with an array of museums and galleries from cutting-edge space innovation to spooky cells. Along North Terrace is the perfect place to kickstart a day of arts experiences before continuing toward the West End for more museums.
Here’s a guide to a few of the must-visit Adelaide art galleries and museums to visit during your stay in the city of churches.
1. Art Gallery of South Australia
Just a 10-minute walk from the Botanic Gardens on North Terrace, the Art Gallery of South Australia showcases an exciting range of rotating visual arts exhibitions.
Pop into the Art Gallery of South Australia. (Image: Leo Hiraga)
Tarnanthi Festival of Indigenous Arts is a highlight in AGSA’s cultural calendar. AGSA is home to one of Australia’s largest collections comprising 47,000 works of art spanning 2000 years.
AGSA features over 47,000 works of art. (Image: South Australian Tourism Commission)
The immersive site-specific commission by Japanese artist Chiharu Shiota weaves a spellbinding web for visitors so don’t miss a visit to the Melrose Wing. Join the Tuesday lunchtime talks where experts delve deeper into the current exhibitions. Time a visit on the first Friday of the month when AGSA opens late and you can welcome the weekend with live music and the local arts crowd.
Tarnanthi Festival of Indigenous Arts is one of AGSA’s main drawcards. (Image: South Australian Tourism Commission)
Address: North Terrace, Adelaide
2. MOD Museum of Discovery
Further down North Terrace on Adelaide’s cultural corridor is MOD Museum of Discovery , a future-focused space at the intersection of science, art and innovation.
MOD Museum of Discovery takes on a futuristic approach.
Ideal for older children 12+ and curious adults, MOD features interactive exhibitions on big topics from climate crisis to democracy inviting visitors to engage their imagination and critical thinking.
Play with your imagination at MOD Museum of Discovery.
Address: Kaurna Country, University of South Australia, North Tce adjacent to the Morphett St Bridge, Adelaide
3. Australian Space Discovery Centre
The small but mighty Australia Space Discovery Centre is found in Lot 14, Adelaide’s technology and innovation district next to the Botanic Gardens and Art Gallery of South Australia.
Talks from astronauts and space scientists will spark visitors’ curiosity, showing how much we rely on space in our day-to-day lives. Drive a Mars Rover simulator or track space junk with hands-on exhibits that combine technology and play. Visitors can also sneak a peek into the first publicly viewable Mission Control Centre in Australia.
Address: Lot Fourteen Ground floor, McEwin Building Cnr Frome Road and, North Terrace, Adelaide
4. Adelaide Gaol
For lovers of dark histories, the Adelaide Gaol built in 1881 is the perfect window into South Australia’s criminal past. An easy walk from Bonython Park tram stop, visitors can choose a self-guided experience or a tour.
Adelaide Gaol is one of the country’s oldest prisons with the most horrifying history.
Are you brave enough for a night-time paranormal investigation? Or maybe an Escape Cell adventure, with three levels of difficulty on offer.
Glimpse into South Australia’s criminal past.
The new Mugshots exhibition will bring the ghosts to life with a moving insight into inmates’ lives.
Explore the iconic Adelaide Gaol on a self-guided tour.
Address: 18 Gaol Rd, Adelaide
5. JamFactory
This contemporary art and design space has two galleries showcasing a revolving selection ofartists from silversmiths to furniture makers.
JamFactory showcases high-quality ceramics in different patterns and designs.
Go during the week to see artists at work, including their impressive glassblowing or peruse the gift shop for exquisite designer objects. If you want to stretch your own creative muscles why not enrol in a workshop.
Get your hands dirty at the pottery wheel.
Opposite the Jamfactory is Nexus Art Gallery a multi-cultural visual arts and music space that is well worth exploring too.
This contemporary museum has two galleries worth exploring.
Address: 19 Morphett St, Adelaide
6. ILA | Immersive Light and Art
Immersive Light Adelaide , or ILA, fuses creativity and technology to create immersive experiences in gallery exhibitions that rotate throughout the year. Downstairs in the Lab, you might catch a live musician or late-night DJ, making ILA a truly multi-art form space.
The Aurora restaurant next door offers seasonal sharing plates in an elegant setting or for something more casual, drinks and snacks are available in the Lab Garden.
Address: 63 Light Square, Adelaide
Museums in Port Adelaide
Whether you’re curious about boats, trains or planes, Port Adelaide has something for everyone, with a range of museums within easy walking distance. A 30-minute train ride from the CBD makes Port Adelaide an accessible and inspiring day trip.
Visit the Maritime Museum to learn about South Australia’s rich seafaring history. (Image: City of Port Adelaide Enfield)
South Australia’s rich seafaring history is celebrated at the Maritime Museum situated in an 1850s bond store while the Railway Museum has over 100 exhibits and a ride-on train for kids, and big kids at heart. Aviation enthusiasts will love seeing a Spitfire up close while listening to passionate tour guides at the SA Aviation Museum. Discounts are available if you visit more than one museum within a month.
Abandoned mills and forgotten paper plants are finding second lives – and helping redefine a city long underestimated.
Just 15 years ago, Federal Mills was a very different place. Once among the most significant industrial sites in Victoria, the historic woollen mill was one of a dozen that operated in Geelong at the industry’s peak in the mid-20th century, helping the city earn its title as ‘wool centre of the world’. But by the 1960s global competition and the rise of synthetic fabrics led to the slow decline of the industry, and Federal Mills finally shuttered its doors in 2001. Within a few years, the abandoned North Geelong grounds had become makeshift pastoral land, with cows and goats grazing among the overgrown grass between the empty red-brick warehouses. It was a forgotten pocket of the city, all but two klicks from the bustle of the CBD.
Geelong has shed its industrial identity to become an innovative urban hub with reimagined heritage spaces. (Image: Ash Hughes)
Federal Mills: from forgotten factory to creative precinct
Today, the century-old complex stands reborn. The distinctive sawtooth-roof buildings have been sensitively restored. An old silo is splashed with a bright floral mural, landscapers have transformed the grounds, and the precinct is once again alive with activity. More than 1000 people work across 50-plus businesses here. It’s so busy, in fact, that on a sunny Thursday morning in the thick of winter, it’s hard to find a car park. The high ceilings, open-plan design, and large multi-paned windows – revolutionary features for factories of their time – have again become a drawcard.
Paddock Bakery and Patisserie is housed within the historic wool factory. (Image: Gallant Lee)
At Paddock , one of the precinct’s newer tenants, weaving looms and dye vats have been replaced by a wood-fired brick oven and heavy-duty mixers. Open since April 2024, the bakery looks right at home here; the building’s industrial shell is softened by ivy climbing its steel frames, and sunlight streams through the tall windows. Outside, among the white cedar trees, families at picnic benches linger over dippy eggs and bagels, while white-collar workers pass in and out, single-origin coffee and crème brûlée doughnuts in hand.
Geelong: Australia’s only UNESCO City of Design
Paddock Bakery can be found at Federal Mills. (Image: Gallant Lee)
“A lot of people are now seeing the merit of investing in Geelong,” says Paul Traynor, the head of Hamilton Hospitality Group, which redeveloped Federal Mills. A city once shunned as Sleepy Hollow, and spurned for its industrial, working-class roots and ‘rust belt’ image, Geelong has long since reclaimed its ‘Pivot City’ title, having reinvented itself as an affordable, lifestyle-driven satellite city, and a post-COVID migration hotspot.
And the numbers stand testament to the change. In March 2025, and for the first time in its history, Greater Geelong became Australia’s most popular regional town for internal migration, overtaking Queensland’s Sunshine Coast. Current forecasts suggest Geelong will continue to outpace many other Australian cities and towns, with jobs growing at double the rate of the population.
Tourism is booming, too. The 2023-24 financial year was Geelong and The Bellarine region’s busiest on record, with 6.4 million visitors making it one of the fastest-growing destinations in the country. It’s not hard to see why: beyond the city’s prime positioning at the doorstep of the Great Ocean Road, Geelong’s tenacity and cultural ambition stands out.
As Australia’s only UNESCO City of Design, Geelong is swiftly shaking off its industrial past to become a model for urban renewal, innovation, sustainability and creative communities. The signs are everywhere, from the revitalisation of the city’s waterfront, and the landmark design of the Geelong Library and Heritage Centre and Geelong Arts Centre, to the growing network of local designers, architects and artists, and the burgeoning roster of festivals and events. That’s not even mentioning the adaptive reuse of storied old industrial buildings – from Federal Mills, to Little Creatures’ brewery ‘village’ housed within a 1920s textile mill – or the city’s flourishing food and wine scene.
The rise of a food and wine destination
Restaurant 1915 is housed within a restored former boiler house. (Image: Harry Pope/Two Palms)
Traynor credits now-closed local restaurant Igni, which opened in 2016, as the turning point for Geelong’s hospo industry. “[Aaron Turner, Igni’s chef-patron] was probably the first guy, with all due respect, to raise the bar food-wise for Geelong,” he says. “People now treat it really seriously, and there’s clearly a market for it.” While Igni is gone, Turner now helms a string of other notable Geelong venues, including The Hot Chicken Project and Tacos y Liquor, all within the buzzy, street art-speckled laneways of the CBD’s Little Malop Street Precinct. Many others have also popped up in Igni’s wake, including Federal Mills’ own restaurant, 1915 . Housed within the cavernous boiler house, 1915’s interior is dramatic: soaring, vaulted ceilings with timber beams, exposed brick, a huge arched window. The share plates echo the space’s bold character, playing with contrast and texture, with dishes such as a compressed watermelon tataki, the sweet, juicy squares tempered by salty strands of fried leeks, and charred, smoky snow peas dusted with saganaki on a nutty bed of romesco.
The Woolstore is a new restaurant and bar housed within a century-old warehouse. (Image: Amy Carlon)
The Woolstore , one of The Hamilton Group’s most recent hospo projects, opened in February. It occupies a century-old riverside warehouse and exudes a more sultry, fine dining ambience. Much like Federal Mills, the blueprint was to preserve the original brickwork, tallowwood flooring and nods to the building’s former life. That same careful consideration extends to the well-versed, affable waitstaff as well as the kitchen. Head chef Eli Grubb is turning out an eclectic mix of ambitious and indulgent mod Oz dishes that deliver: strikingly tender skewers of chicken tsukune, infused with hints of smoke from the parrilla grill, and glazed with a moreish, sweet gochujang ‘jam’; nduja arancini fragrant with hints of aniseed and the earthy lick of sunny saffron aioli; and golden squares of potato pavé, adorned with tiny turrets of crème fraîche, crisp-fried saltbush leaves, and Avruga caviar, to name but a few stand-out dishes.
Woolstore’s menu is designed for sharing.
Breathing new life into historic spaces
On the city’s fringe, hidden down a winding side road with little fanfare, lies a long-dormant site that’s being gently revived. Built from locally quarried bluestone and brick, and dating back to the 1870s, the complex of original tin-roofed mill buildings is lush with greenery and backs onto the Barwon River and Buckley Falls; the audible rush of water provides a soothing soundtrack. Fyansford Paper Mill is one of few complexes of its time to survive intact. It feels steeped in history and spellbindingly rustic.
“We were looking for an old industrial place that had some charm and romance to it,” explains Sam Vogel, the owner, director and winemaker at Provenance Wines which moved here in 2018. When he first viewed the building with his former co-owner, it was in such a state of disrepair that the tradie tenant occupying the space had built a shed within it to escape the leaking roof and freezing winter temperatures. “To say it was run down would be an understatement,” he notes. “There was ivy growing through the place; the windows were all smashed. It was a classic Grand Designs project.”
Provenance Wines moved to Fyansford Paper Mill in 2018. (Image: Cameron Murray Photography)
The team has since invested more than a million dollars into their new home. Where paper processing machinery once sat, wine barrels are now stacked. Vaulted cathedral ceilings are strung with festoon lights, and hidden in plain sight lies a shadowy mural by local street artist de rigueur Rone – one of only three permanent works by the artist.
While the award-winning, cool-climate pinot noir, riesling and chardonnay naturally remain a key draw at Provenance, the winery’s restaurant is a destination in itself. Impressed already by whipsmart service, I devour one of the most cleverly curated and faultlessly executed degustations I’ve had in some time. It’s all prepared in a kitchen that is proudly zero-waste, and committed to providing seasonal, ethical and locally sourced meat and produce under head chef Nate McIver. Think free-range venison served rare with a syrupy red wine jus and a half-moon of neon-orange kosho, shokupan with a deeply savoury duck fat jus (a modern Japanese take on bread and drippings), and a golden potato cake adorned with a colourful confetti of dehydrated nasturtiums and tomato powder, and planted atop a sea urchin emulsion.
Bell’s handcrafted functional pieces on display.
The complex is home to a coterie of independent businesses, including a gallery, a jeweller, and its latest tenant, ceramicist Elizabeth Bell, drawn here by the building’s “soul”. “There’s so much potential for these buildings to have new life breathed into them,” says Bell, whose studio is housed within the old pump room. “Even people in Geelong don’t know we’re here,” she says. “It’s definitely a destination, but I like that. It has a really calming atmosphere.”
A Melbourne transplant, Bell now feels at home in Geelong, which offers something Melbourne didn’t. “If this business was in Melbourne I don’t think it would’ve been as successful,” she notes. “It’s very collaborative in Geelong, and I don’t think you get that as much in Melbourne; you’re a bit more in it for yourself. Here it’s about community over competition.”
Ceramicist Elizabeth Bell has a store in Fyansford Paper Mill.
