Bushrangers today, eh?

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Over a friendly meal with a wandering yarn-spinner, Peter Russell-Clarke learns that the days of the outback outlaw are far from over. They’ve just lowered their sights a little.

I often think about Mad Mac. Sean Macintosh of the Outback was one of those unforgettable rogues. Loveable, but . . . well, different. But then again so were (and still are) quite a few of the outback characters.

Bobby One Leg for instance. He couldn’t read, yet could recite the poem The Highwayman flawlessly. “The road was a ribbon of moonlight across the purple moor," he’d intone like an Aussie Laurence Olivier. “The highwayman came riding, riding up to the old inn door."

Then there was Charlie Chop Chop, the Chinese cook who could disguise anything under a wok full of cabbage and water chestnuts. There was Ron the Roo Shooter, who compiled an Aussie Outback Dictionary that he tried to have translated into Japanese in case the lads from Nippon decided to have another crack at taking over the joint. And there was Shirley Temple, the horse breaker. And Jumping Jill, the highway prostitute. They all have fascinating yarns to tell but, in truth, their stories pale into insignificance compared to the stories of their own lives.

But one of the most interesting characters I’ve ever come across was Perc. I didn’t believe the old bushy for a moment, but I had to admit he was entertaining. “My Dad’s great uncle was Ned Kelly’s cook," he once told me, nodding solemnly. “He was never given credit for keeping the Kelly boys healthy, but without old Claude keeping them regular, goodness knows what sort of mess they would’ve been in.

“Ya see, Ned and his gang couldn’t be stopping any old time for nature’s call, could they?" I nodded that I indeed agreed that they couldn’t. But I confess I wasn’t sure what he meant. “Imagine trying to squat with the weight of that armour draped over ya," Perc continued. I hoped he wasn’t going to detail what I now perceived were the regular functions he was alluding to.

“Of course, Claude the cook had designed his armour to be more functional than Ned’s," said Perc. “Instead of plough shields, his armour was his woodfired stove – one of them ones with doors for the ovens and firebox and such. He’d put his stove on whenever armour was needed, an’ when he wanted a pee he’d simply open the appropriate door and he was away. At mealtimes he discarded the stove, reassembled it, lit the fire and cooked their grub. As long as they didn’t have to move quickly, everything was hunky-dory."

 

I met Perc at a stopover on the Hume Highway just up the road from Holbrook in south central NSW. I was travelling through to Wagga, then planned to drive across to the Alice and up to Tennant Creek in my trusty motorhome. Perc was towing one of those collapsible tent-trailers with the bed that pops out the back. I’d stopped for a cup of green tea. Perc had stopped because he wanted to stop.

“I often drive around Ned’s old territory," Perc confided. “Even cook some of old Claude’s recipes. Ya know, Ned Kelly was a beekeeper at one stage. That’s why he moved around a lot. And, of course, why Claude used honey so much."

I confessed that I hadn’t known, but was intrigued – why did it mean Ned had to move from place to place?

“Well, he had to follow the honey flow, mate. Wherever the blossom was flowering, the bees needed to be right there and right on time, otherwise the bees starved and Ned got no honey."

“Okay," I said, pouring Perc a beer. “But if Claude wore his stove, surely all the doors were in the front. Which might be all right for No.1s, but what about No.2s? And what about his helmet? Don’t tell me he wore a saucepan; how would he see? If he’d had eyeholes, the saucepan would leak when being used for more conventional purposes."

“Claude’s cooking wasn’t conventional, mate," laughed Perc. “Far bloody from it. An’ ya see, Claude was always running away from danger, so the front of the stove was on his back region. He peed through the flu, which is at the back of the stove. An’ he didn’t need eyeholes in his helmet because, if any threat presented itself, he shut his eyes tight and took off."

I thought all that through as I poured us both another beer. “Have ya got a red?" asked Perc shyly. “Shiraz f’preference. I’m not big on Pinot Noir. More a sheilas’ drink, eh?"

By now the sun had danced down behind red river gums, which stood sentinel at the end of a billabong in a paddock between us and the river. I’d made some tabouli, which I was thinking of having with a few falafel and hummus. “Would you like to join me?" I asked Perc.

“Bloody oath, mate, whatever it is. An’ I’ve got a coupla chops and some spuds. Ned loved lamb – it was plentiful from over any fence – and spuds were a must for a growing Irish lad."

And so it happened. The next day we parted after muesli for me and bacon and eggs for Perc. I took my time tidying and stowing away, all the while grinning over Perc and his Kelly yarns. But as I pulled out of the stopover, a police car drew alongside and indicated that I stop. I did.

“G’day, mate," growled a broad-shouldered copper. “Have you seen a little bloke driving an old Holden Ute towing a campervan?"

“What’s he done?" I asked.

“He’s like a bloody gypsy, the little bugger. Nicks hubcaps and spare wheels and anything else not tied down. I see you’ve got no hubcaps, so I thought you might’ve met up with him."

 

It was years later that I read about Perc’s death. I was camping by a billabong at Talmalmo, just down from Jingellic. I was reading the local paper. Perc had been arrested for robbery – convicted – but died of a heart attack on his way to the lock-up. Unlike Ned, he beat the gallows.

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Film lovers need to add these Victorian theatres to their bucket list

    Ricky FrenchBy Ricky French
    Theatres have always been a cornerstone of regional Victoria, reflecting the character and history of their local communities.

    From grand, gold rush-era masterpieces to Art Deco wonders to repurposed prisons, we’ve rounded up four of Victoria’s best regional theatres to catch a show at next time you’re travelling through.

    Her Majesty’s Theatre, Ballarat

    Her Majesty’s Theatre, Ballarat 
    Her Majesty’s Theatre in Ballarat has been standing for 150 years. (Image: Michael Pham)

    A monument to the immense gold rush wealth flooding through Ballarat in the second half of the 19th century, Her Majesty’s Theatre (‘Her Maj’ to locals) celebrates its 150th anniversary as the city’s premier performing arts venue this year.

    Built in a classical style and immaculately preserved (thanks largely to a recent $16-million restoration), this Lydiard Street landmark is the oldest continuously operating theatre in mainland Australia, notable for its double balcony and a stage that slopes towards the front, making it one of the most audience-friendly venues in the country to see a show.

    The Capital, Bendigo

    The Capital Theatre, Bendigo
    The Capital in Bendigo was built in 1873 as a Masonic Hall. (Image: Michael Pham)

    Denoted by its distinctive Corinthian columns, more reminiscent of ancient Greece than regional Victoria, The Capital theatre in Bendigo has been through several iterations since the first stone was laid in 1873.

    Originally a Masonic hall, the renaissance revival-style building became a theatre in the 1890s, falling into disrepair for a time during the 1970s, before being restored and reopened (as the Bendigo Regional Arts Centre) in 1991. Today, the 480-seat venue hosts everything from comedy to cabaret to traditional theatre, dance, opera and live music.

     Ulumbarra Theatre, Bendigo

    a look insideBendigo’s Ulumbarra Theatre
    Inside Bendigo’s Ulumbarra Theatre, a former prison. (Image: Michael Pham)

    Bendigo has busted out as a regional performing arts hotspot, so it’s fitting that one of its newest venues is housed within a former prison. Meaning ‘meeting place’ or ‘gather together’ in the language of the local Dja Dja Wurrung people, the $26-million, 950-seat auditorium rose from within the red brick walls of the historic Sandhurst Gaol in 2015.

    It’s an eerie feeling as you approach the imposing granite facade, pass beneath the old gallows and pick up your ticket from the box office occupying a repurposed cell block. With the building playing a main character in the show, this is performative architecture at its finest.

    Rex Theatre, Charlton

    the Rex Theatre in Charlton
    The 1938-built Rex Theatre in Charlton is an Art Deco gem. (Image: Jenny Pollard)

    Regional theatres don’t come more romantic than this Art Deco gem in the river town of Charlton, in north-central Victoria. Built in 1938, the 350-seat community-owned theatre provides an essential entertainment outlet for residents in the Wimmera Mallee region, as well as visitors making the trip up the Calder Highway from Melbourne.

    The volunteer-run venue is the last remaining purpose-built cinema in regional Victoria, and hosts the Charlton Film Festival every February, plus three weekly film screenings (Tuesday, Saturday and Sunday).