Ken Duncan’s Panorama: Dipsticks of the Outback

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An outraged Ken Duncan prepares to wage war on a growing threat to the pristine nature of our precious outback icons: idiots with spray cans, textas and – sometimes – chainsaws. Dipsticks of the Outback, you have been warned . . .

There’s no better feeling than getting in your car and heading off into the bush for an adventure. When you hit the road it doesn’t matter what you’ve left behind or forgotten to do; you’ll deal with it. The cries of life’s urgency dwindle with the kilometres travelled and you begin to unwind as the view ahead opens to endless horizons. Yes! Going bush is like a magic formula – as the odometer goes up, the stress comes down.

So what is it about the outback that helps us unwind? I believe it’s the space, and in Australia we have plenty of it. That vastness helps you put your life into perspective. It gives you a chance to empty your in-tray. It’s an opportunity to clear your head, breathe fresh air and relax.

We’re blessed to live in such a diverse country and I believe our outback is one of our greatest medicinal treasures. It’s far more than red dirt and desert. It’s hard for me to imagine how travelling through Australia’s open country could not positively change any person. Lately, though, I’ve started to realise that there’s a strange breed of yobbo that feels the outback is there for them to trash and leave their branding on. They don’t allow the bush to wash over them – they want to leave their mark on it instead.

These people feel a need to leave their names emblazoned on anything they can, as though they’re some big explorer whose name will ring out for posterity. They’re like dogs, leaving their scent to mark their territory without realising what dipsticks they are. I call them “dipsticks", as a dipstick is used to check the level of something – and these sorts of people must have very low levels of brain activity. They need to have the paddles of life turned up to full power and applied to their heads.

As you can probably tell, this kind of graffiti is really starting to get under my skin. People (and I use the word loosely) have spray-painted their names on The Devil’s Marbles and all sorts of outback icons. We as Australian travellers need to take a stand, as it’s getting out of hand. This is our backyard. We need to start facing up to the vandals who do these things and tell them they’re dipsticks who need to get a life and show some respect. As a photographer, I’m at a loss as to why people feel the need to deface things. Some recent examples have finally tipped me over the edge. It’s time to really try and bring this epidemic to light and deal with it. We need to turn the tide of this disease.

Near Cameron’s Corner, where the NSW, Qld and SA borders meet, there’s an old yellow double-decker bus that was used as an out-camp for cattle workers, called Jack Camp. Talk about the last bus stop. When I first saw it, there was no graffiti – but over the years dipsticks have felt the need to add their names. While standing there recently, ready to take a new photo of the bus, I was pondering the worst of the fresh graffiti, a scrawled name: “Wishbone". I was thinking, “What would possess someone to do that?" And guess what? I got my answer. At that very moment, a guy pulled up in his Ute with the big aerials, driving lights, bull bar and fluffy dice on the rear-view mirror, and jumped out with his girlfriend. He headed over to the bus and said proudly, “Look, darling, there’s my name. Wishbone. I did that – isn’t it great?" His girlfriend just giggled nervously, not really knowing what to say. They were both right near me and I overheard this profound dialogue. I couldn’t believe I had actually now met the owner of the graffiti.

Wishbone looked over at me, clearly so proud of his ability to spell his name, and announced once more, “That’s me," awaiting my approval.

I like to be as friendly as I can, but I just looked at him and said: “If you did that, then you are a dipstick. Why did you do it?" The poor fellow just looked at me with a vacant stare – obviously not the sharpest tool in the shed.

My latest run-in with graffiti is courtesy of a guy called Gaz, in Victoria’s High Country in Alpine National Park. This is the land of legends, the High Country cattlemen and the Man from Snowy River. It’s part of our history. I was looking for new High Country huts and found Howitt Hut – and there, on the door, a person by the name of Gaz had spray-painted his name. I put Gaz up there as the King of the Dipsticks. What was he thinking with this effort?

 

Hundreds of visitors have written their names on the walls of the hut over the years. They have no right to (unless they were a real part of its history) and it has gotten out of hand. In some places the walls are so crammed with writing that there’s not a spare space to be seen!

 

I then went to look at another place in the same area called Miller Hut. When I got there, again Gaz had beaten me. This time he really outdid himself. He’d used a chainsaw to write his name in letters 30cm high on the old log walls of the hut. I could not believe anyone could be so insensitive. How could he think this was normal behaviour? How many beers did Gaz have to come up with this dumb idea? Where were his friends, who should’ve told him what a dipstick he’d be if he did something as stupid as defacing a part of our Australian history? People like Gaz don’t travel alone; they usually like an audience.

Would you want to invite this guy to your place for dinner? Imagine it: while you’re in the kitchen preparing the meal, Gaz gets out his chainsaw and carves his name in your walls, because he wants to be part of your history. Maybe he could even do it as a parting gesture on your fence. I’d be less than impressed if Gaz left his calling card in my home – and he would certainly be history.

The saddest part is that Gaz is not alone. When I started looking closer, I saw that others had used their chainsaws on the old wood of the High Country huts. There was Max, and Alan, and the list goes on. Shame on you all. I hope someone who knows you sees this article and lets you know you are now in the Dipsticks Hall of Fame. You are dumb enough to add your own names to it. But be real brave next time, dipsticks, and try writing it on a park ranger. That will probably put you on the road to healing.

We all want to enjoy our outback adventure and the great space and freedom we have. We do not want to be reminded of the self-indulgence of humanity. It’s not meant to be “look at me"; it’s meant to be look at the scenery. Yes, it’s my space, it’s yours, it’s our children’s – but it’s not an advertising space for dipsticks.

On a positive note, thank God it’s not too late and the world has so many beautiful people who do the right thing. We all just need to make sure we stand up to the Gazzes and give them a hand to see themselves – even if they do have a chainsaw.

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Unforgettable First Peoples tours and experiences in Victoria

From ancient aquaculture systems to sacred rock art shelters, Victoria’s First Peoples cultural experiences offer a powerful connection to one of the world’s oldest living cultures – where every site, story and smoking ceremony invites a deeper understanding of the land beneath your feet. 

Victoria’s sweeping landscapes hold stories far older than any road map can trace – stories etched into stone, sung through generations and woven into every bend of river and rise of hill. From the lava flows of Budj Bim to the ancient middens of Moyjil/Point Ritchie and the volcanic crater of Tower Hill, the state is home to some of the most significant First Peoples cultural sites in Australia. These places, along with other immersive experiences, offer not only a window into a 60,000-year legacy, but a profound way of understanding Country itself. As more travellers seek connection over checklists, guided tours by Traditional Owners offer respectful, unforgettable insights into a living culture that continues to shape the land and the people who walk it. 

Budj Bim cultural landscape  

Budj Bim Cultural Landscape
Budj Bim Cultural Landscape is on Gunditjmara Country. (Image: Visit Victoria)

Venture beyond the surf and sand of the Great Ocean Road to discover a deeper story etched into the volcanic landscape. At Budj Bim , ancient aquaculture channels built by the Gunditjmara people to trap, store and harvest kooyang (short-finned eel) reveal one of the world’s oldest living cultures. While you’re in the area, head over to the state-of-the-art Tae Rak Aquaculture Centre, where you can observe the eels in a special tank, wander the shores of Tae Rak (Lake Condah), and enjoy a bite at the Bush Tucker Cafe. Also nearby is Tower Hill, a dormant volcano reborn as a wildlife reserve, offering trails through bushland teeming with emus and koalas. 

eel tank
The kooyang (eel) tank at Tae Rak. (Image: Visit Victoria)

Dumawul Kooyoora Walking Tour 

Dumawul walkingtour
Guests are guided through Kooyoora State Park on the Dumawul walking tour. (Image: Visit Victoria)

Step into a timeless landscape with Dumawul’s guided tour through Kooyoora State Park, around an hour’s drive west of Bendigo in north-central Victoria. Led by Djaara guides, this immersive half-day journey breathes life into Country, weaving together stories, bush tucker and ancient rock art. Known to the Dja Dja Wurrung people as Guyura – the ‘mountain of light’ – this dramatic granite range is rich with cultural and spiritual significance.  The adventure begins with a meet-up at the Bridgewater Hotel on the banks of the Loddon River, before guests are welcomed onto Country with a traditional Smoking Ceremony – a powerful ritual that honours ancestors and cleanses those who walk the land. From there, it’s a gentle wander through rugged outcrops and open bushland, with sweeping vistas unfolding at every turn. Along the way, guides share their knowledge of how the Dja Dja Wurrung peoples have cared for and adapted with this land for generations, offering a rare and moving window into an ancient way of life that continues to thrive today.  

Kooyoora walking tour
Knowledge of the Dja Dja Wurrung is shared on the trail. (Image: Visit Victoria)

Kingfisher Cruises  

Kingfisher Cruises
Cruising the Murray with Kingfisher Cruises. (Image: Visit Victoria)

Glide quietly through the Barmah-Millewa forest – the nation’s largest river red gum ecosystem – on a scenic journey along the Murray River and into the Barmah Lakes with Kingfisher Cruises . Led by passionate guides who share stories of the cultural significance of this ancient landscape, these cruises reveal the stories, totems and traditional knowledge of the Yorta Yorta people. As you navigate narrow waterways and spot native birds, you’ll gain a richer understanding of how First Peoples have lived in harmony with this floodplain for tens of thousands of years. It’s a gentle, immersive experience that leaves a lasting impression – one where every bend in the river carries echoes of culture, connection and Country.  

wawa biik 

 Taungurung leaders
Exploring Nagambie with Taungurung leaders. (Image: Visit Victoria)

Translating to ‘hello, Country’ in the language of the First Nations People and Custodians of the rivers and mountains of Taungurung Country in Central Victoria, wawa biik guides a range of authentic and deeply immersive experiences. Leaving from either Nagambie or Euroa, the tours are woven with ancient stories of the Taungurung, telling how a sustained connection and responsibility ensures the continued health of biik – benefitting the people, animals and plants that live in and around the Goulburn River. During the wawa Nagambie experience, guests participate in a Welcome Smoking Ceremony, and enjoy lunch and conversation with two Taungurung leaders as they cruise through the wetlands of tabilk-tabilk (place of many waterholes). The 4.5-hour tour begins at Tahbilk Winery, which is set in the wetlands of Nagambie on Taungurung Country and collaborates with Taungurung Elders to share knowledge of biik. 

Bataluk Cultural Trail  

Bataluk Trail
Cape Conran on the Bataluk Trail. (Image: Visit Victoria)

The Bataluk Cultural Trail winds through East Gippsland like a thread stitching past to present, tracing the deep connection between the Gunaikurnai people and their land. Starting at the Knob Reserve in Stratford, visitors walk among scarred trees and ancient stone tools once used for survival and ceremony. At the Den of Nargun near Mitchell River, the earth holds stories of women’s sacred spaces, cloaked in myth and legend. Further along, Legend Rock at Metung tells of greed and consequence, its surface etched with ancient lore. At Cape Conran, shell middens lie scattered like breadcrumbs of history – 10,000 years of gatherings, stories and saltwater songs still echoing in the wind.  

Healesville Sanctuary  

echidna at Healesville Sanctuary
Get up close with a resident echidna at Healesville Sanctuary. (Image: Visit Victoria)

Set on the historic grounds of Coranderrk Aboriginal Station, Healesville Sanctuary honours the Wurundjeri people of the Kulin Nation through immersive storytelling and connection to Country. Along Wurundjeri Walk, visitors are invited to reflect on the land’s rich First Peoples history, with native plants revealing their traditional uses. Wurundjeri Elder and educator Murrundindi shares culture in-person with the Wominjeka Aboriginal Cultural Experience every Sunday, and most days during Victorian school holidays. Murrundindi’s smoking ceremonies, storytelling and bush tucker knowledge reveal the sacred relationship between people, animals and the environment. Bird-lovers can’t miss the incredible Spirits of the Sky show featuring native birds daily at 12pm and 3pm. 

The Grampians 

Rock art at Bunjil Shelter in The Grampians
Rock art at Bunjil Shelter in The Grampians. (Image: Visit Victoria)

Known as Gariwerd to Traditional Owners, the Grampians is a place of immense cultural and spiritual significance. This rugged landscape holds more than 80 per cent of Victoria’s known First Peoples rock art, offering a powerful window into the region’s deep heritage. Visitors can respectfully explore five remarkable rock art sites: Billimina and Ngamadjidj in the Wartook Valley, Manja Shelter near Hamilton, Gulgurn Manja shelter near Laharum, and the Bunjil Shelter near Stawell, where the creator spirit is depicted. Each site tells a unique story of connection to Country, shared through ancient handprints, dancing figures and Dreaming narratives etched into stone.