Trekking Hanging Rock with a llama

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Jocelyn Pride discovers that trekking the Macedon Ranges’ mystical Hanging Rock with a llama is good for your soul. No, really…

“Hmmm, hmmm, hmmm," hums Jaro in a melodic B-flat, I’ve-got-something-important-to-say-sort-of-way.

 

Huge brown eyes with movie star lashes look straight into mine and his banana-shaped fluffy ears twitch back and forth as I make soft cooing sounds.

 

It’s love at first sight. A perfect way to start a 24-hour relationship… with a llama.

 

Domesticated by the Incas thousands of years ago, llamas are one of the oldest animals on the planet. Known as the dolphins of the land, these camelids are whip smart, full of personality and easy to train, as Mark Brindley of Hanging Rock Llama Treks discovered. By saving a llama’s life, he changed his.

 

“When my partner brought home a day-old orphaned cria (baby llama) with a hole in its heart from her veterinarian clinic, I was hooked," says Mark, a retired aircraft engineer turned llama farmer. “Although Yoda only lived six months, she opened me to a new world."

 

Mark now has 15 llamas and recently started offering guided llama trekking within the Victorian Macedon Ranges region.

 

Jaro stands patiently as I learn the art of llama handling.

 

“Before you ask, spit happens," says Mark with a playful chuckle. “But don’t worry, it’s rare and only a llama to llama thing."

 

The thought of being in the middle of a llama drama and sprayed with green slime is a tad off-putting, however Jaro and his mates already have the herd hierarchy worked out.

 

“Just make sure you give them their own space."

 

After weighing each saddle-bag loaded with our camping gear, food and wine, clothing, and llama essentials like a pooper scooper, tether ropes and ‘llama lollies’ (pellets), we head to Hanging Rock Reserve.

 

Leading a llama is like taking an oversized well-trained dog for a walk, except I soon find they only have two speeds – stop and llama pace. Each step Jaro takes is slow, deliberate and strong.

 

It’s easy to see why these sure-footed, well-natured animals are revered as pack animals. Even weighing in at 160 kilograms they’re kind on the environment.

 

“A llama leaves less of a footprint than our hiking boots," says Mark.

 

We meander the labyrinth of undulating trails lined with peppermint and manna gums around Australia’s ‘second’ rock formed six million years ago when lava oozed through a vent in the Earth’s surface.

 

Immortalised in literature, Hanging Rock is as evocative today as it was in Joan Lindsay’s novel and Peter Weir’s film Picnic at Hanging Rock, the haunting tale of the disappearance of a group of school girls here on Valentine’s Day in 1900.

 

(MORE… Picnic at Hanging Rock – fact of fiction?)

 

Jaro occasionally cuddles into my neck and sniffs my pockets for ‘llama lollies’. Chris, my travel companion is envious. She doesn’t bond as quickly with Warrego, the tallest and most aloof of the trio. “Llamas can be more like cats than dogs," says Mark.

 

For afternoon tea we lazily snack on chocolate brownies and banana cake, sipping tea while the llamas chomp on grass and snatch mouthfuls of pine needles.

 

As camping isn’t permitted in the reserve, we load the llamas onto a horse float and drive half-an-hour to a ‘pet friendly’ camping ground in the tiny village of Blackwood on the edge of Lerderderg State Park.

 

With great hilarity and wide-eyed llamas watching on, we manage to pitch the tents before darkness shrouds us.

 

Dinner is a fine camp fire affair – nibbles with a local pinot gris, lamb curry (Mark’s secret recipe) with all the trimmings, followed by sticky date tart.

 

As we snuggle into the sleeping bags, our four-legged friends kush down (sit) as sentinels behind the tents. Their hums and snuffles are like a lullaby and I’m asleep within seconds.

 

Our six-kilometre hike the following morning is a challenge. Narrow tracks criss-cross the old gold mining trails. This is new territory for Jaro but nothing fazes him. He carefully picks our path, up and down the rocky hills – confident, steady, grounded. He has my complete trust.

 

Instead of my usual hurried pace, I’m totally in the moment. I feel the breeze touch my face, listen to the swish of the leaves and each note of a kookaburra’s laughter.

 

Jaro’s humming becomes my ‘om’. It sure beats a colouring book.

 

The details: Hanging Rock Llama Treks, Victoria

Getting there: Hanging Rock is a 60-minute drive north-west of Melbourne.

 

Playing there: Mark offers a number of llama experiences ranging from kids’ parties on his farm to day hikes along a rail trail with a pub lunch to overnight camping treks. The price for the overnight experience is $130 per person including camping gear, food, wine and lollies for the llamas. hangingrockllama.com.au

 

Staying there: If you don’t fancy sleeping in a tent, ‘The Caboose’ at Hanging Rock Reserve is a beautifully restored railway carriage (sleeps two). Contact Garry and Kate Marks on 0418394984.

 

MORE… Finished exploring Victoria by hoof and ready to take to the air? Vintage flight – hot air ballooning Yarra Valley style

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Inside Geelong’s glow-up from factory town to creative capital

Abandoned mills and forgotten paper plants are finding second lives – and helping redefine a city long underestimated. 

Just 15 years ago, Federal Mills was a very different place. Once among the most significant industrial sites in Victoria, the historic woollen mill was one of a dozen that operated in Geelong at the industry’s peak in the mid-20th century, helping the city earn its title as ‘wool centre of the world’. But by the 1960s global competition and the rise of synthetic fabrics led to the slow decline of the industry, and Federal Mills finally shuttered its doors in 2001. Within a few years, the abandoned North Geelong grounds had become makeshift pastoral land, with cows and goats grazing among the overgrown grass between the empty red-brick warehouses. It was a forgotten pocket of the city, all but two klicks from the bustle of the CBD.  

Geelong cellar door wine bar
Geelong has shed its industrial identity to become an innovative urban hub with reimagined heritage spaces. (Image: Ash Hughes)

Federal Mills: from forgotten factory to creative precinct 

Today, the century-old complex stands reborn. The distinctive sawtooth-roof buildings have been sensitively restored. An old silo is splashed with a bright floral mural, landscapers have transformed the grounds, and the precinct is once again alive with activity. More than 1000 people work across 50-plus businesses here. It’s so busy, in fact, that on a sunny Thursday morning in the thick of winter, it’s hard to find a car park. The high ceilings, open-plan design, and large multi-paned windows – revolutionary features for factories of their time – have again become a drawcard.  

Paddock Bakery andPatisserie
Paddock Bakery and Patisserie is housed within the historic wool factory. (Image: Gallant Lee)

At Paddock , one of the precinct’s newer tenants, weaving looms and dye vats have been replaced by a wood-fired brick oven and heavy-duty mixers. Open since April 2024, the bakery looks right at home here; the building’s industrial shell is softened by ivy climbing its steel frames, and sunlight streams through the tall windows. Outside, among the white cedar trees, families at picnic benches linger over dippy eggs and bagels, while white-collar workers pass in and out, single-origin coffee and crème brûlée doughnuts in hand. 

Geelong: Australia’s only UNESCO City of Design 

Paddock Bakery
Paddock Bakery can be found at Federal Mills. (Image: Gallant Lee)

“A lot of people are now seeing the merit of investing in Geelong,” says Paul Traynor, the head of Hamilton Hospitality Group, which redeveloped Federal Mills. A city once shunned as Sleepy Hollow, and spurned for its industrial, working-class roots and ‘rust belt’ image, Geelong has long since reclaimed its ‘Pivot City’ title, having reinvented itself as an affordable, lifestyle-driven satellite city, and a post-COVID migration hotspot.  

And the numbers stand testament to the change. In March 2025, and for the first time in its history, Greater Geelong became Australia’s most popular regional town for internal migration, overtaking Queensland’s Sunshine Coast. Current forecasts suggest Geelong will continue to outpace many other Australian cities and towns, with jobs growing at double the rate of the population.

Tourism is booming, too. The 2023-24 financial year was Geelong and The Bellarine region’s busiest on record, with 6.4 million visitors making it one of the fastest-growing destinations in the country. It’s not hard to see why: beyond the city’s prime positioning at the doorstep of the Great Ocean Road, Geelong’s tenacity and cultural ambition stands out.  

As Australia’s only UNESCO City of Design, Geelong is swiftly shaking off its industrial past to become a model for urban renewal, innovation, sustainability and creative communities. The signs are everywhere, from the revitalisation of the city’s waterfront, and the landmark design of the Geelong Library and Heritage Centre and Geelong Arts Centre, to the growing network of local designers, architects and artists, and the burgeoning roster of festivals and events. That’s not even mentioning the adaptive reuse of storied old industrial buildings – from Federal Mills, to Little Creatures’ brewery ‘village’ housed within a 1920s textile mill – or the city’s flourishing food and wine scene.  

The rise of a food and wine destination  

boiler house
Restaurant 1915 is housed within a restored former boiler house. (Image: Harry Pope/Two Palms)

Traynor credits now-closed local restaurant Igni, which opened in 2016, as the turning point for Geelong’s hospo industry. “[Aaron Turner, Igni’s chef-patron] was probably the first guy, with all due respect, to raise the bar food-wise for Geelong,” he says. “People now treat it really seriously, and there’s clearly a market for it.” While Igni is gone, Turner now helms a string of other notable Geelong venues, including The Hot Chicken Project and Tacos y Liquor, all within the buzzy, street art-speckled laneways of the CBD’s Little Malop Street Precinct. Many others have also popped up in Igni’s wake, including Federal Mills’ own restaurant, 1915 Housed within the cavernous boiler house, 1915’s interior is dramatic: soaring, vaulted ceilings with timber beams, exposed brick, a huge arched window. The share plates echo the space’s bold character, playing with contrast and texture, with dishes such as a compressed watermelon tataki, the sweet, juicy squares tempered by salty strands of fried leeks, and charred, smoky snow peas dusted with saganaki on a nutty bed of romesco. 

Woolstore
The Woolstore is a new restaurant and bar housed within a century-old warehouse. (Image: Amy Carlon)

 The Woolstore , one of The Hamilton Group’s most recent hospo projects, opened in February. It occupies a century-old riverside warehouse and exudes a more sultry, fine dining ambience. Much like Federal Mills, the blueprint was to preserve the original brickwork, tallowwood flooring and nods to the building’s former life. That same careful consideration extends to the well-versed, affable waitstaff as well as the kitchen. Head chef Eli Grubb is turning out an eclectic mix of ambitious and indulgent mod Oz dishes that deliver: strikingly tender skewers of chicken tsukune, infused with hints of smoke from the parrilla grill, and glazed with a moreish, sweet gochujang ‘jam’; nduja arancini fragrant with hints of aniseed and the earthy lick of sunny saffron aioli; and golden squares of potato pavé, adorned with tiny turrets of crème fraîche, crisp-fried saltbush leaves, and Avruga caviar, to name but a few stand-out dishes.  

Woolstore menu
Woolstore’s menu is designed for sharing.

Breathing new life into historic spaces  

On the city’s fringe, hidden down a winding side road with little fanfare, lies a long-dormant site that’s being gently revived. Built from locally quarried bluestone and brick, and dating back to the 1870s, the complex of original tin-roofed mill buildings is lush with greenery and backs onto the Barwon River and Buckley Falls; the audible rush of water provides a soothing soundtrack. Fyansford Paper Mill is one of few complexes of its time to survive intact. It feels steeped in history and spellbindingly rustic.  

“We were looking for an old industrial place that had some charm and romance to it,” explains Sam Vogel, the owner, director and winemaker at Provenance Wines which moved here in 2018. When he first viewed the building with his former co-owner, it was in such a state of disrepair that the tradie tenant occupying the space had built a shed within it to escape the leaking roof and freezing winter temperatures. “To say it was run down would be an understatement,” he notes. “There was ivy growing through the place; the windows were all smashed. It was a classic Grand Designs project.” 

Provenance Wines
Provenance Wines moved to Fyansford Paper Mill in 2018. (Image: Cameron Murray Photography)

The team has since invested more than a million dollars into their new home. Where paper processing machinery once sat, wine barrels are now stacked. Vaulted cathedral ceilings are strung with festoon lights, and hidden in plain sight lies a shadowy mural by local street artist de rigueur Rone – one of only three permanent works by the artist.

While the award-winning, cool-climate pinot noir, riesling and chardonnay naturally remain a key draw at Provenance, the winery’s restaurant is a destination in itself. Impressed already by whipsmart service, I devour one of the most cleverly curated and faultlessly executed degustations I’ve had in some time. It’s all prepared in a kitchen that is proudly zero-waste, and committed to providing seasonal, ethical and locally sourced meat and produce under head chef Nate McIver. Think free-range venison served rare with a syrupy red wine jus and a half-moon of neon-orange kosho, shokupan with a deeply savoury duck fat jus (a modern Japanese take on bread and drippings), and a golden potato cake adorned with a colourful confetti of dehydrated nasturtiums and tomato powder, and planted atop a sea urchin emulsion.  

handcrafted pieces
Bell’s handcrafted functional pieces on display.

The complex is home to a coterie of independent businesses, including a gallery, a jeweller, and its latest tenant, ceramicist Elizabeth Bell, drawn here by the building’s “soul”. “There’s so much potential for these buildings to have new life breathed into them,” says Bell, whose studio is housed within the old pump room. “Even people in Geelong don’t know we’re here,” she says. “It’s definitely a destination, but I like that. It has a really calming atmosphere.”  

A Melbourne transplant, Bell now feels at home in Geelong, which offers something Melbourne didn’t. “If this business was in Melbourne I don’t think it would’ve been as successful,” she notes. “It’s very collaborative in Geelong, and I don’t think you get that as much in Melbourne; you’re a bit more in it for yourself. Here it’s about community over competition.”  

Elizabeth Bell
Ceramicist Elizabeth Bell has a store in Fyansford Paper Mill.