One for the road – Our cocktail recipes of the month

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The cocktails that put the most considered Australian drops to good use, with cocktail recipes from the best bartenders in the country.

Cocktail: Bloody Jasmine

The cocktails that put the most considered Australian craft spirits to good use, with recipes from the best bartenders in the country.

 

Four Pillars is combining two of the greatest things on the planet, gin and shiraz, to make them even better. And you can make its Bloody Shiraz Gin better still with this cocktail from its ambassador and ‘bartender at large’, Sammy Ng; make it yourself or drop into the Four Pillars distillery bar in Healesville, Yarra Valley to sample. “The original jasmine cocktail is actually a modern classic from the early ’90s. This recipe is equal parts gin, Curaçao, lemon and Campari. We modified this by replacing the traditional London dry gin with our Bloody Shiraz – it plays beautifully with bright citrus and a hint of bitterness," says Ng.

Ingredients

20ml Four Pillars Bloody Shiraz Gin

20ml Campari

20ml Dry Curaçao (or any other orange liqueur, such as Cointreau)

20ml fresh lemon juice

1 dash of Regan’s Orange Bitters

Lemon twist for garnish

Instructions

Add ingredients into a cocktail shaker with ice. Shake and strain into a chilled coupette glass and garnish with a lemon twist.

Cocktail: Complexion

 

Complexion

We all love an espresso martini, but there is another way to sneak a caffeine hit into your evening soirée while also becoming something of a trailblazer for fine coffee liqueurs.

 

Mr Black is crafted at a small distillery on the NSW Central Coast, using cold-pressed, single-origin beans from Ethiopia, Brazil and Papua New Guinea.

 

Drop into the cosy bar at Annata in Sydney’s Crows Nest, and bartender Christian Blair will arrange an introduction.

 

“This variation on a negroni uses Mr Black Cold Drip Coffee Liqueur as the driving flavour," he says.

 

“Cold drip is said to highlight more floral flavours from the coffee it’s made with, so in this instance sweet vermouth is added to intensify the dark fruit character, Campari to enhance the bitterness, and tequila to bring up the sweetness."

Ingredients:

30ml Mr Black

30ml Oscar 697 Vermouth Rosso

20ml Calle 23 Blanco Tequila

10ml Campari

Instructions:

Stir, strain into a coupette, garnish with an orange twist.

Cocktail: Winter Side Car

Last year gin was all the rage – this year, vermouth is in vogue.

 

Indeed, such is the newfound appetite for vermouth that a dedicated bar Banksii, named after botanist Sir Joseph Banks, opened last year at Sydney’s Barangaroo to satiate the city’s desire for the botanical-infused fortified wine.

 

Causes & Cures is a great example of the stuff and is made down in Healesville, Victoria, its name harking back to vermouth’s original use as an Italian medicine.

 

“Causes & Cures Semi Dry White was one of the first Australian vermouths I tried and it’s still one of my favourites," says Banksii’s sommelier Rebecca Lines.

 

“It’s bold and has a good depth of flavour due to the viognier grapes and the use of oak in the process of making it.

 

There are plenty of orange notes from the Seville oranges they use, so I’ve used it as a replacement for Cointreau in the classic Side Car cocktail, also switching lemon juice out for orange juice.

 

The faintest hint of cinnamon adds to the winter appeal of this cocktail."

 

Enjoy!

Ingredients:

1 pure cane-sugar cube

30ml Cognac

20ml Causes & Cures Semi Dry

White Vermouth

10ml orange juice

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Instructions:

Rub the rim of a cocktail glass with orange, then dip in sugar mixed with a tiny pinch of cinnamon.

 

Place a sugar cube in a Boston glass and add Cognac, vermouth and orange juice.

 

Muddle until sugar has dissolved, add ice and stir until condensation forms.

 

Strain into the pre-prepared cocktail glass.

Cocktail: The Rose Train

The Rose Train
The Rose Train

You wouldn’t normally associate vodka with the hot climate of Australia, but nevertheless we found this lovingly crafted drop in Tasmania, a state that seems hell-bent on becoming the craft spirit capital of the world.

 

We dropped into Kentucky Rain, attached to smokehouse The Tickled Rib (currently on the move to a new and improved location in North Hobart), to sample Hellfire Vodka from Hellfire Bluff Distillery.

 

“Hellfire is a potato farm and it uses its excess potatoes to produce this vodka," says manager Lewis Rands.

 

“It operates with a ‘paddock to bottle’ ethos to produce a vodka in the traditional way, while reducing waste.

 

The cocktail is the combination of sweetness from the elderflower and tartness from the blackberry and lemon without taking away from the vodka’s unique taste."

Ingredients:

45ml Hellfire Potato Vodka

30ml St Germain Elderflower Liqueur

30ml Blackberry puree (made from 50g of frozen blackberries, blended)

15ml lemon juice

Instructions:

Shake all ingredients with ice and then strain into a tall glass filled with fresh ice.

 

Garnish with a mint spring.

Cocktail: A Walk in the Woods

A Walk In The Woods
A Walk In The Woods

If there was ever a spirit that embodies the place of its conception, it’s Brookie’s Byron Dry Gin.

 

Eddie Brook and master distiller Jim McEwan have harnessed the botanicals  – including native ginger and Dorrigo pepper – of Eddie’s family’s property, which includes a lush stretch of rainforest in the Byron hinterland.

 

You can sample it at nearby Harvest, where beverage manager Sam Curtis has turned it into A Walk in the Woods.

 

“Refreshingly subtle and very drinkable, I created this drink on the opening night of Eddie’s distillery," says Sam.

 

“Eddie and his father were kind enough to take us for a walk through the rainforest that they planted 30 years ago.

 

It was a genuinely moving experience." Take a walk in the woods yourself with this recipe.

Ingredients:

One fresh apple

One sprig rosemary, half the leaves removed and set aside

Three peppermint gum leaves

1/4 cup mixed nuts

One fresh finger lime, squeezed

45ml Brookie’s Byron Dry Gin

30ml Maidenii Dry Vermouth

Three dashes Angostura Orange Bitters

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Instructions:

Roughly chop half the apple and place in a cocktail shaker with the removed rosemary leaves, peppermint gum leaves, nuts, fresh finger lime, gin, vermouth and bitters.

 

Shake vigorously for 15 seconds then strain into the cocktail glass.

 

To garnish, slice the remaining apple into a fan shape.

 

Using a toothpick, pierce a hole through the apple fan and insert rosemary twig into the hole.

 

Squeeze finger lime balls on top of apple fan and place in drink to serve.

Cocktail: The Glenferri

The Glenferri Cocktail
The Glenferri Cocktail

Lark Distillery has been at the vanguard of Tasmania’s burgeoning whisky industry, with its founder, Bill Lark, inducted into the Whisky Hall of Fame last year.

 

Pure water, lush barley fields, highland peat bogs and a perfect climate make Tasmanian whiskies the envy of the world.

 

Bartender Lam Tran from Melbourne’s The Kilburn knows how to make the most of them, with more than 600 whiskies at his disposal.

 

“This drink showcases the intricacies of the Lark Classic Cask; something light enough to comfortably sip before dinner and whet the appetite," says Lam.

 

“Inspired by the classic Rob Roy cocktail, the Glenferri incorporates the elements of malt, sweet and savoury."

 

Enjoy!

Ingredients:

45ml Lark Classic Cask

10ml Picon Biere Apertif A L’Orange

10ml Australian Tawny

Instructions:

Stir with a block of ice in a crystal rocks glass and present with a skewer of deep crimson maraschino cherries.

Cocktail: The Bronx

The Bronx
The Bronx

Distilled in Sydney in three stills made from imported Scandinavian copper, the folk at Archie Rose have created a Signature Dry Gin that’s finely balanced but eminently complex, flavoured with native botanicals such as blood lime, Dorrigo pepperleaf, lemon myrtle, river mint, and juniper, of course.

 

It’s being put to good use by Charles Casben at his new bar Moya’s Juniper Lounge, a gin bar that he opened with his sister in Sydney’s Redfern in March.

 

With gins from all over the planet, Charles has put an emphasis on our home-grown best, Archie Rose among them, in a cosy bar that pays homage to classic cocktails as well as some signature takes.

 

His suggestion?

 

The Bronx.

 

“The Bronx is an old drink that was arguably invented at the Waldorf Astoria in Manhattan in the early 20th century by a young bartender who didn’t drink, but nonetheless had a talent for mixing," explains Charles.

Ingredients:

40ml Archie Rose Signature Dry Gin

20ml Regal Rogue Vermouth Rogue

20ml Maidenii Vermouth Sec

20ml orange juice

Instructions:

Shake and serve

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Inside Geelong’s glow-up from factory town to creative capital

    Chloe Cann Chloe Cann
    Abandoned mills and forgotten paper plants are finding second lives – and helping redefine a city long underestimated. 

    Just 15 years ago, Federal Mills was a very different place. Once among the most significant industrial sites in Victoria, the historic woollen mill was one of a dozen that operated in Geelong at the industry’s peak in the mid-20th century, helping the city earn its title as ‘wool centre of the world’. But by the 1960s global competition and the rise of synthetic fabrics led to the slow decline of the industry, and Federal Mills finally shuttered its doors in 2001. Within a few years, the abandoned North Geelong grounds had become makeshift pastoral land, with cows and goats grazing among the overgrown grass between the empty red-brick warehouses. It was a forgotten pocket of the city, all but two klicks from the bustle of the CBD.  

    Geelong cellar door wine bar
    Geelong has shed its industrial identity to become an innovative urban hub with reimagined heritage spaces. (Image: Ash Hughes)

    Federal Mills: from forgotten factory to creative precinct 

    Today, the century-old complex stands reborn. The distinctive sawtooth-roof buildings have been sensitively restored. An old silo is splashed with a bright floral mural, landscapers have transformed the grounds, and the precinct is once again alive with activity. More than 1000 people work across 50-plus businesses here. It’s so busy, in fact, that on a sunny Thursday morning in the thick of winter, it’s hard to find a car park. The high ceilings, open-plan design, and large multi-paned windows – revolutionary features for factories of their time – have again become a drawcard.  

    Paddock Bakery andPatisserie
    Paddock Bakery and Patisserie is housed within the historic wool factory. (Image: Gallant Lee)

    At Paddock, one of the precinct’s newer tenants, weaving looms and dye vats have been replaced by a wood-fired brick oven and heavy-duty mixers. Open since April 2024, the bakery looks right at home here; the building’s industrial shell is softened by ivy climbing its steel frames, and sunlight streams through the tall windows. Outside, among the white cedar trees, families at picnic benches linger over dippy eggs and bagels, while white-collar workers pass in and out, single-origin coffee and crème brûlée doughnuts in hand. 

    Geelong: Australia’s only UNESCO City of Design 

    Paddock Bakery
    Paddock Bakery can be found at Federal Mills. (Image: Gallant Lee)

    “A lot of people are now seeing the merit of investing in Geelong,” says Paul Traynor, the head of Hamilton Hospitality Group, which redeveloped Federal Mills. A city once shunned as Sleepy Hollow, and spurned for its industrial, working-class roots and ‘rust belt’ image, Geelong has long since reclaimed its ‘Pivot City’ title, having reinvented itself as an affordable, lifestyle-driven satellite city, and a post-COVID migration hotspot.  

    And the numbers stand testament to the change. In March 2025, and for the first time in its history, Greater Geelong became Australia’s most popular regional town for internal migration, overtaking Queensland’s Sunshine Coast. Current forecasts suggest Geelong will continue to outpace many other Australian cities and towns, with jobs growing at double the rate of the population.

    Tourism is booming, too. The 2023-24 financial year was Geelong and The Bellarine region’s busiest on record, with 6.4 million visitors making it one of the fastest-growing destinations in the country. It’s not hard to see why: beyond the city’s prime positioning at the doorstep of the Great Ocean Road, Geelong’s tenacity and cultural ambition stands out.  

    As Australia’s only UNESCO City of Design, Geelong is swiftly shaking off its industrial past to become a model for urban renewal, innovation, sustainability and creative communities. The signs are everywhere, from the revitalisation of the city’s waterfront, and the landmark design of the Geelong Library and Heritage Centre and Geelong Arts Centre, to the growing network of local designers, architects and artists, and the burgeoning roster of festivals and events. That’s not even mentioning the adaptive reuse of storied old industrial buildings – from Federal Mills, to Little Creatures’ brewery ‘village’ housed within a 1920s textile mill – or the city’s flourishing food and wine scene.  

    The rise of a food and wine destination  

    boiler house
    Restaurant 1915 is housed within a restored former boiler house. (Image: Harry Pope/Two Palms)

    Traynor credits now-closed local restaurant Igni, which opened in 2016, as the turning point for Geelong’s hospo industry. “[Aaron Turner, Igni’s chef-patron] was probably the first guy, with all due respect, to raise the bar food-wise for Geelong,” he says. “People now treat it really seriously, and there’s clearly a market for it.” While Igni is gone, Turner now helms a string of other notable Geelong venues, including The Hot Chicken Project and Tacos y Liquor, all within the buzzy, street art-speckled laneways of the CBD’s Little Malop Street Precinct. Many others have also popped up in Igni’s wake, including Federal Mills’ own restaurant, 1915Housed within the cavernous boiler house, 1915’s interior is dramatic: soaring, vaulted ceilings with timber beams, exposed brick, a huge arched window. The share plates echo the space’s bold character, playing with contrast and texture, with dishes such as a compressed watermelon tataki, the sweet, juicy squares tempered by salty strands of fried leeks, and charred, smoky snow peas dusted with saganaki on a nutty bed of romesco. 

    Woolstore
    The Woolstore is a new restaurant and bar housed within a century-old warehouse. (Image: Amy Carlon)

     The Woolstore, one of The Hamilton Group’s most recent hospo projects, opened in February. It occupies a century-old riverside warehouse and exudes a more sultry, fine dining ambience. Much like Federal Mills, the blueprint was to preserve the original brickwork, tallowwood flooring and nods to the building’s former life. That same careful consideration extends to the well-versed, affable waitstaff as well as the kitchen. Head chef Eli Grubb is turning out an eclectic mix of ambitious and indulgent mod Oz dishes that deliver: strikingly tender skewers of chicken tsukune, infused with hints of smoke from the parrilla grill, and glazed with a moreish, sweet gochujang ‘jam’; nduja arancini fragrant with hints of aniseed and the earthy lick of sunny saffron aioli; and golden squares of potato pavé, adorned with tiny turrets of crème fraîche, crisp-fried saltbush leaves, and Avruga caviar, to name but a few stand-out dishes.  

    Woolstore menu
    Woolstore’s menu is designed for sharing.

    Breathing new life into historic spaces  

    On the city’s fringe, hidden down a winding side road with little fanfare, lies a long-dormant site that’s being gently revived. Built from locally quarried bluestone and brick, and dating back to the 1870s, the complex of original tin-roofed mill buildings is lush with greenery and backs onto the Barwon River and Buckley Falls; the audible rush of water provides a soothing soundtrack. Fyansford Paper Mill is one of few complexes of its time to survive intact. It feels steeped in history and spellbindingly rustic.  

    “We were looking for an old industrial place that had some charm and romance to it,” explains Sam Vogel, the owner, director and winemaker at Provenance Wines which moved here in 2018. When he first viewed the building with his former co-owner, it was in such a state of disrepair that the tradie tenant occupying the space had built a shed within it to escape the leaking roof and freezing winter temperatures. “To say it was run down would be an understatement,” he notes. “There was ivy growing through the place; the windows were all smashed. It was a classic Grand Designs project.” 

    Provenance Wines
    Provenance Wines moved to Fyansford Paper Mill in 2018. (Image: Cameron Murray Photography)

    The team has since invested more than a million dollars into their new home. Where paper processing machinery once sat, wine barrels are now stacked. Vaulted cathedral ceilings are strung with festoon lights, and hidden in plain sight lies a shadowy mural by local street artist de rigueur Rone – one of only three permanent works by the artist.

    While the award-winning, cool-climate pinot noir, riesling and chardonnay naturally remain a key draw at Provenance, the winery’s restaurant is a destination in itself. Impressed already by whipsmart service, I devour one of the most cleverly curated and faultlessly executed degustations I’ve had in some time. It’s all prepared in a kitchen that is proudly zero-waste, and committed to providing seasonal, ethical and locally sourced meat and produce under head chef Nate McIver. Think free-range venison served rare with a syrupy red wine jus and a half-moon of neon-orange kosho, shokupan with a deeply savoury duck fat jus (a modern Japanese take on bread and drippings), and a golden potato cake adorned with a colourful confetti of dehydrated nasturtiums and tomato powder, and planted atop a sea urchin emulsion.  

    handcrafted pieces
    Bell’s handcrafted functional pieces on display.

    The complex is home to a coterie of independent businesses, including a gallery, a jeweller, and its latest tenant, ceramicist Elizabeth Bell, drawn here by the building’s “soul”. “There’s so much potential for these buildings to have new life breathed into them,” says Bell, whose studio is housed within the old pump room. “Even people in Geelong don’t know we’re here,” she says. “It’s definitely a destination, but I like that. It has a really calming atmosphere.”  

    A Melbourne transplant, Bell now feels at home in Geelong, which offers something Melbourne didn’t. “If this business was in Melbourne I don’t think it would’ve been as successful,” she notes. “It’s very collaborative in Geelong, and I don’t think you get that as much in Melbourne; you’re a bit more in it for yourself. Here it’s about community over competition.”  

    Elizabeth Bell
    Ceramicist Elizabeth Bell has a store in Fyansford Paper Mill.