The evolutionary tale of Megan Gale

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In the fickle world of fashion, Megan Gale has carved herself a niche with her glamourous beauty and ready smile. But now she is navigating the next step in her career, evolving into an actor, businesswoman and model mother.

It’s 5:30am on an overcast Tasmanian morning and the early start is weighing heavy on many members of the AT team.

 

Arriving at the house where our cover star, Megan Gale, is in residence for this issue’s shoot at the Bay of Fires, most of us make a beeline for the coffee machine.

 

Not Gale. She is already being hovered over by a make-up artist, getting ready for yet another photoshoot, the umpteenth in her career.

 

She is friendly and her signature warm smile lights up her green eyes readily, in spite of the fact that she is feeling slightly under the weather herself and has left her adored two-year-old son, River, at home with his dad (AFL player Shaun Hampson) in Melbourne with a fever (she discreetly checks in on how he is throughout the day).

 

But then Gale has built a reputation for being a consummate professional during her time in the modelling industry, which effectively started with a bang back in 1999 when the then 24-year-old Western Australian native became something of an overnight sensation in Italy.

 

At the time she was cast in the ad for the Italian telecommunications company Omnitel (now Vodafone Italy), Gale thought it was just another one-off job, but something about her glamorous dark beauty (Gale’s mother is of Maori descent) appealed to the Italians.
“It was very surreal and really overwhelming," Gale says now of the experience. “When I first shot that TV commercial I just thought it was another modelling gig. I thought I would never even see the commercial because it was being shown in Italy and I lived in Australia.

 

“But then I was told that I was being flown over there because everyone loved the commercial and wanted to meet me – I didn’t even really get it until I arrived and there was this huge welcoming reception from a whole country!

 

“It was kind of like I was living two lives for a while. I had this notoriety in a country I’d never been to – I didn’t understand their culture or what they were saying – yet back home I was unknown and still trying to get work.

 

“It was such a strange time; it was a lot to get my head around. A lot."

 

Gale retained the contract with Omnitel until 2006 and even ended up relocating to Italy for a time.

 

While the story reads like something of a fairytale, she says it was also a steep learning curve.

 

“I was a completely independent person back in Australia, but when I moved there I had to have people translate for me; I had to be driven everywhere; I had a bodyguard.

 

“It really taught me to adapt, to live outside my comfort zone, to stand up for myself because a lot of people, knowing that I was a bit naïve and a bit vulnerable and a bit green, were trying to take advantage of me, be it business deals or contracts or photoshoots.

 

“It was a really challenging time, but I learnt pretty fast about trying to form my independence in a country where I had to think on my feet. I grew up very quickly during my time there."

 

It was a far cry from her early days in Western Australia, where according to Gale she had a typical Australian childhood.

 

“I have some pretty fond memories of my childhood. I grew up with two older brothers and by nature of being around them I was a little bit of a tomboy," she explains.

 

“But it was kind of split: I could be climbing trees and catching goannas in bushland, but in the afternoon I could be playing with a Barbie doll.

 

“I still feel like I’m very much that girl, just as comfortable hanging out and screaming at the footy as I am having a gorgeous gown and make-up on."

 

Having originally moved to Sydney from Perth at the age of 18 and spending five years as a working model to middling success, her fame in Italy finally made Gale hot property here in her own country.

 

Using the savvy she picked up along the way, she went about translating her unexpected fame into a bona fide career, becoming a brand ambassador for both David Jones and L’Oréal Australia, designing her own swimwear label, Isola, for Seafolly, working on television as the presenter of the Australian version of Project Runway and as a guest judge on Australia’s Next Top Model, and designing homewares for Target.

 

And then, of course, there’s the Academy Award-winning Mad Max: Fury Road, the fourth instalment in the hugely successful Mad Max franchise, in which she played a post-apocalyptic desert warrior opposite Charlize Theron and Tom Hardy.

 

There was talk of Gale filling the role of Wonder Woman on screen in an aborted George Miller production, but while she loved the experience of working on film she says there is no move to Hollywood in her immediate future.

 

Rather, her focus now seems to be on being a model mother rather than an actress–model.

 

“River’s influenced me so much for the better, I think," she says. “He helps me put things into perspective; things that I used to worry about and think were a big deal aren’t as much anymore.

 

“You just think about your son and his health and his happiness, and, also as a parent, your own health.

 

“Those kind of things are important; without that it’s all just a bit irrelevant. His health and wellbeing are just my absolute priority.

 

“And I always imagined it would be like that before becoming a parent, but until you do, you don’t realise how much they become your world and how much attention and time you give them.

 

“I think making him a priority and how much that occupies my mind has pleasantly surprised me."

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Film lovers need to add these Victorian theatres to their bucket list

    Ricky FrenchBy Ricky French
    Theatres have always been a cornerstone of regional Victoria, reflecting the character and history of their local communities.

    From grand, gold rush-era masterpieces to Art Deco wonders to repurposed prisons, we’ve rounded up four of Victoria’s best regional theatres to catch a show at next time you’re travelling through.

    Her Majesty’s Theatre, Ballarat

    Her Majesty’s Theatre, Ballarat 
    Her Majesty’s Theatre in Ballarat has been standing for 150 years. (Image: Michael Pham)

    A monument to the immense gold rush wealth flooding through Ballarat in the second half of the 19th century, Her Majesty’s Theatre (‘Her Maj’ to locals) celebrates its 150th anniversary as the city’s premier performing arts venue this year.

    Built in a classical style and immaculately preserved (thanks largely to a recent $16-million restoration), this Lydiard Street landmark is the oldest continuously operating theatre in mainland Australia, notable for its double balcony and a stage that slopes towards the front, making it one of the most audience-friendly venues in the country to see a show.

    The Capital, Bendigo

    The Capital Theatre, Bendigo
    The Capital in Bendigo was built in 1873 as a Masonic Hall. (Image: Michael Pham)

    Denoted by its distinctive Corinthian columns, more reminiscent of ancient Greece than regional Victoria, The Capital theatre in Bendigo has been through several iterations since the first stone was laid in 1873.

    Originally a Masonic hall, the renaissance revival-style building became a theatre in the 1890s, falling into disrepair for a time during the 1970s, before being restored and reopened (as the Bendigo Regional Arts Centre) in 1991. Today, the 480-seat venue hosts everything from comedy to cabaret to traditional theatre, dance, opera and live music.

     Ulumbarra Theatre, Bendigo

    a look insideBendigo’s Ulumbarra Theatre
    Inside Bendigo’s Ulumbarra Theatre, a former prison. (Image: Michael Pham)

    Bendigo has busted out as a regional performing arts hotspot, so it’s fitting that one of its newest venues is housed within a former prison. Meaning ‘meeting place’ or ‘gather together’ in the language of the local Dja Dja Wurrung people, the $26-million, 950-seat auditorium rose from within the red brick walls of the historic Sandhurst Gaol in 2015.

    It’s an eerie feeling as you approach the imposing granite facade, pass beneath the old gallows and pick up your ticket from the box office occupying a repurposed cell block. With the building playing a main character in the show, this is performative architecture at its finest.

    Rex Theatre, Charlton

    the Rex Theatre in Charlton
    The 1938-built Rex Theatre in Charlton is an Art Deco gem. (Image: Jenny Pollard)

    Regional theatres don’t come more romantic than this Art Deco gem in the river town of Charlton, in north-central Victoria. Built in 1938, the 350-seat community-owned theatre provides an essential entertainment outlet for residents in the Wimmera Mallee region, as well as visitors making the trip up the Calder Highway from Melbourne.

    The volunteer-run venue is the last remaining purpose-built cinema in regional Victoria, and hosts the Charlton Film Festival every February, plus three weekly film screenings (Tuesday, Saturday and Sunday).